Critical Arts
CRITICAL ARTS examines the relationship between texts and contexts of media in the Third World, cultural formations and popular forms of expression. It aims to create a space for an African and Third World perspective of media (both formal and informal) in culture and social theory.
CRITICAL ARTS aims to challenge and engage conventional academic practices which reinforce undemocratic relations in society.
Vol 18, No 2 (2004):
Open Access
Subscription Access
Table of Contents
Articles
| Introduction | |
| Keyan G Tomaselli, Nisha Ramlutchman |
| The Healing Land: Research Methods in Kalahari Communities | |
| Vanessa McLennan-Dodd |
| Hitting the Hot Spots: Literary Tourism as a Research Field with Particular Reference to KwaZulu-Natal, South Africa | |
| Lindy Stiebel |
| Representations and Objections: Geert Van Kesteren and the 13th International Aids Conference, Durban, 2000 | |
| Alexandra von Stauss |
| Book Review: Brian McNair, An Introduction to Political Communication (3rd edition), London: Routledge, 2003, ISBN 0415307082, 272pp. | |
| Phil Joffe |
| Film Review: Seeing is Believing: Handicams, Human Rights and the News. Directed by Katerina Cizek and Peter Wintonick, 2002, 58 minutes. First Run/Icarus Films. Colour. | |
| Sean Jacobs |
Critical Arts. ISSN: 0256-004