“ YOU ARE MY ROCK AND FORTRESS ” . REFUGE METAPHORS IN PSALM 31 . A PERSPECTIVE FROM COGNITIVE METAPHOR THEORY

The psalms of lamentation are prayers of a beleaguered individual or nation. The one under constant attack of the enemy has no other option but to implore the deity to intervene on his behalf. Yahweh is invoked to save the supplicant and to destroy the adversaries. Apart from this recurrent plea, Yahweh is often depicted as one providing refuge to those in need. Psalm 31 is no exception. The competent reader will identify various refuge metaphors being employed by the psalmist. Through the application of images from the natural world, the poet accentuates the notion that Yahweh acts as a refuge to his people. By taking recourse to the cognitive theory of metaphor, this study endeavours to explicate the cognitive world underlying the use of the refuge metaphors is Psalm 31.


INTRODUCTION
In the face of danger the fight or flight principle is often applied: you either stand your ground or you run for cover.In the psalms of lamentation, so one could argue, the supplicant chooses not to fight the enemies, but rather requests the deity to deal with them.He realises that on his own he is powerless against the might of the foes.Yahweh is thus implored to punish the adversaries and restore the psalmist.Besides the invocation for divine intervention, the plaintiff also calls on Yahweh to provide the necessary protection.In Psalm 31, an individual lament, the poet employs various metaphors as a means of emphasising the idea that the deity acts as a refuge in times of affliction.Yahweh becomes a

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Refuge metaphors in Psalm 31 safe haven for the embattled supplicant.The importance of the refuge metaphor in the psalms of lamentation is echoed by Brown (2002:30): Its associations are wide-ranging and profound.The object of deep longing, refuge is emblematic of the person who places complete trust in God.It highlights the ... role of God ... who is intent on making the world a refuge and provides protection to those in distress.
The representation of Yahweh as a refuge in Psalm 31 can therefore be interpreted as a desire to be safeguarded by the deity.Although scholars (cf. Hugger 1971;Keel 1972;Creach 1996;Brown 2002) explored the notion of Yahweh as refuge in the Hebrew Bible, not much attention has been paid to the cognitive reality underlying these metaphors.This study attempts to illustrate that the employment of the refuge metaphors in Psalm 31 arises from the psalmist's personal experiences and the utilisation of various cognitive strategies as a means of explicating the notion of divine assistance.This contribution will also demonstrate that the tenets of the cognitive theory of metaphors can indeed be helpful in illuminating the cognitive world underlying the utterances of the poet.In order to achieve this, the investigation will be conducted as follows: Firstly, the cognitive theory of metaphor, as introduced by Lakoff & Johnson (1980) will be discussed in detail.Secondly, the study focuses on the cognitive function of metaphor and thirdly, examines the refuge metaphors used by the psalmist.

COGNITIVE THEORY OF METAPHOR
The contribution of the cognitive theory of metaphor towards a better understanding of this trope is to be understood against the background of the focus of traditional theories.Although assigning a cognitive role to metaphor, they emphasised the linguistics aspects thereof.It would not be far-fetched to assume that the cognitive theory of metaphor ushered in a new era of metaphor interpretation.Advocates of this theory view it (metaphor) as a matter of thought and reason and investigate the role of embodiment in the creation and interpretation of this trope (cf.Lakoff 1993:202).Metaphor is conceptual, underlying everyday language as well as poetic language.Lakoff & Johnson (1980:3) claim that Metaphor is for most people a device of poetic imagination and the rhetorical flourish -a matter of extraordinary rather than ordinary domains; while journeys, buildings, food, and others are source domains (cf. Kövecses 2002:4).In order to understand the target domain in terms of the source domain, one has to have appropriate knowledge of the source domain (Lakoff & Turner 1989:60).
An important distinction is also drawn between conceptual metaphors or metaphorical concepts on the one hand, and linguistic metaphors or metaphorical expressions on the other hand (cf.Lakoff & Johnson 1980, Lakoff 1993:209).The former refers to those abstract notions such as theories are buildings, ideas are objects and love is a journey, while the latter are words or linguistic expressions that come from the language or terminology of the more concrete conceptual domain (cf. Yu 1998: 14, Kövecses 2002:4).Metaphorical language, consisting of linguistic expressions, is but a surface manifestation or realisation of conceptual metaphor (Yu 1998:4).The metaphorical linguistic utterances reveal the existence of the conceptual metaphors (cf.Kövecses 2002:6).
The following example from Lakoff (1993:206)  A person who uses this conceptual metaphor utilises the knowledge of journeys to comprehend the abstract category of love.There are ontological correspondences, according to which entities in the domain of love (lovers, their common goals, the relationship and their problems) correspond systematically to entities in the domain of a journey (travellers, vehicles, destinations and roads) (Lakoff 1993:207).There are also epistemic correspondences, whereby knowledge of the source domain is mapped onto knowledge of the target domain to form inference patterns (Yu 1998:15).Wierzbicka (1986:292) takes issue with the way Lakoff (1993) uses this conceptual metaphor.She holds that the love is a journey metaphor is limited to the relationship between lovers and not between a mother and her child.This suggests that the The application of the journey domain to the love domain provides the concept of love with this set of elements.The concept of journey, as it were, "creates" the concept of love (Kövecses 2002:7).This implies that the target concept is not structured independently of and prior to the domain of journey.The elements of the target concept (love) derive from the source domain (journey) and on this basis, the conceptual mapping can occur.These and other epistemic correspondences will determine the way people conceptualise, reason about, and talk about their love relationship.Conceptual metaphors head and govern a system of linguistic metaphors.The system of metaphor is highly structured by its ontological and epistemic correspondences operating across conceptual domains (Yu 1998:17).The metaphorical mappings do not occur in isolation from one another.They are at times organised in hierarchical structures, in which "lower" mappings in the hierarchy inherit the structure of the "higher" mappings.Lakoff (1993:222) calls this phenomenon "metaphor inheritance hierarchies".The following example, which includes the conceptual metaphor love is a journey, illustrates such a hierarchy:3 Level 1: The event structure metaphor Level 2: Life is a journey Level 3: Love is a journey; a career is a journey The two versions of the metaphor at Level 3 -love is a journey and a career is a journey -inherit the structure of the higher mapping at Level 2 -life is a journey -which is a more general metaphor containing the two metaphors at Level 3 as its more specific manifestations (Yu 1998:17).The inheritance hierarchy accounts for the generalisa--tion of inference (Lakoff 1993:224).Love is an important aspect of life and therefore the love is a journey metaphor inherits the structure of the life is a journey metaphor.The understanding of difficulties as impediments to travel occurs not only in events in general, but also in life, in a love relationship, and in a career.The inheritance hierarchy guarantees that this understanding of difficulties in life, love and careers is a consequence of such understanding of difficulties in events in general.The metaphors higher up in the hierarchy tend to be more

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Refuge metaphors in Psalm 31 tainer is meant (Kövecses 2002:34).Ontological metaphors provide a more delineated structure to undelineated experiences.The following examples illustrate the way in which these metaphors are used: 4 My fears that she would leave proved to be totally unfounded (referring).She is full of hatred for the one who killed her friend (quantifying).
The enormity of the task caused him to quit the job (identifying causes).
The brutality of the genocide shocked people all over the world (identifying aspects).Lakoff & Johnson (1980:461) assert that people hardly notice metaphors such as these, because they are so basic to everyday conceptualisation and functioning.They are nevertheless a means by which people understand either non-physical or not clearly bounded things as entities.Once an abstract concept has received the status of a thing through an ontological metaphor, the concept so conceptualised can be structured further by means of structural metaphors.If, for example, the mind is conceptualised as an object, more structure can be provided for it by means of the "container" metaphor as in: "He has totally gone out of his mind"; "my mind is filled with dreams of becoming a star".The notion of containment is challenged by Wierzbicka (1986:300-306), who postulates that there is a sentence like "Harry is in love" which is not metaphorical at all.She claims that plain common sense indicates that expressions such as in love, in pain, in despair don't refer to place.They refer to certain psychological states.
There exists, however, ample evidence that abstract states are conceptualised in terms of bounded locations in space, as indicated by Lakoff and Johnson (1980) and Lakoff (1993).Wierzbicka's critique on Lakoff's employment of the love is a journey metaphor derives from her notion of metaphor.She treats metaphor as "a linguistic device … which by definition can't convey meaning in a fully explicit manner" (Wierzbicka 1986:294).She also holds that metaphor is not conceptual as claimed by Lakoff and Johnson (1980); it is primarily linguistic in nature.To deny that metaphor is conceptual in nature, however, is to rob it of its cognitive function.The aspect of containment will be elaborated in the discussion on image-schemas.
4 Examples added by the author.

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Refuge metaphors in Psalm 31 a causal role in the death of every person (Lakoff & Turner 1989:78).The composition of this commonplace notion gives rise to the understanding of death as an agent who brings about the individual event of death.The use of this particular agent (robber) is linked to the metaphors for the concepts that death affects: life and people.If someone employs the conceptual metaphor life is a precious possession, death will most likely be conceptualised as a robber that takes away a precious possession (life).

Orientational metaphors
The cognitive function of orientational metaphors is to allow for coherency among the target concepts in the conceptual system.Most of the metaphors in this category have to do with the basic human spatial orientations such as up-down, front-back, centre-periphery, inout and on-off.These spatial orientations arise from the fact that we have bodies of the sort we have and that they function as they do in our physical environment (Lakoff & Johnson 1980:462).
Orientational metaphors give concepts a spatial orientation, with an "upward orientation" and a "downward orientation": Health and life are up; Sickness and death are down.He is in great shape.His health is declining.He dropped dead.Physical basis: Serious illness causes one to physically lie down.A dead person is physically down.More is up; Less is down.The oil price increased.The crime rate went down.It is too loud, please turn the radio down.Physical basis: If one adds more of a substance or physical objects to a pile, the level goes up.If some is taken away, the level goes down.

Control is up; Lack of control is down.
The team is in a commanding position.He is under my control.The employees are in an inferior position.Physical basis: Physical size normally correlates with physical strength, and the winner is typically on top.
These examples illustrate that an upward orientation usually goes together with a positive evaluation, whereas a downwards orientation indicates a negative evaluation (cf. Kövecses 2002:36).The spatial

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Refuge metaphors in Psalm 31 alisation, the structural metaphor Yahweh is a refuge is formed.The essential feature of protection associated with the source domain (refuge) is conceptually mapped unto the target domain (Yahweh), thus highlighting the defensive quality of the deity.The psalmist also "moves into Yahweh" and so Yahweh becomes a place of refuge, where the plaintiff can find the necessary protection from danger.According to Jenni (1992:195) ytysj ˚b might well allude to the "Bewegung in einen Raum hinein (mit Endlage im Raum)", whereby on a metaphorical level the deity becomes a shelter.
4.2 rwx (v.3c) The utterance "be a rock of refuge for me, a fortified house to save me" in v. 3 continues the notion of refuge provided by Yahweh.rwx denotes a large solitary rock, a crag, or rocky mountain chain (Creach 1996:28).Large rocks and boulders often served as hiding places or shelters, lookout points, places of execution and sacrifice (Hill 1997:793).Because of its hardness, rwx conveys the idea of stability and immovability.It provides a solid foundation, protection and security.Its literal use of providing shade from an overhanging "rock"/ "cliff" in the desert sun (Isa.33:2) was extended to the figurative use of God providing refuge for his people (cf. Fabry 1989:977).Compare the remark of Keel (1972:159)  rwx is employed metaphorically in contexts describing the action of Yahweh, and the personal experience of deliverance from adversity, whereby the deity is seen to be a refuge in which one may trust (Knowles 1989:310).With regard to the use of "rock" as an indication of the relationship between Yahweh and the psalmist, Eichorn (1972:45) observes that rwx als Anrede und prädikative Bezeichnung Gottes, … , begegnet im Munde eines Individuums nur in solchen Psalmen, die… in ihrer Struktur auf eine Offenbarung Jahwes bezogen sind, die durch den Beter, dessen Verhältnis zu Jahwe durch das rwx sein Jahwes für ihn

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Refuge metaphors in Psalm 31 Noteworthy from the above-mentioned discussion is the fact that the psalmist employs four different Hebrew terms (rwx, zw[m, hdwxm and [ls) as a means of accentuating the shelter provided by the deity.This underscores the importance of the refuge notion in Psalm 31.In terms of the cognitive theory of metaphor, one can argue that the underlying cognitive strategy, with regard to the utilisation of these refuge metaphors, is that of metaphor coherency.One of the tenets of the cognitive view of metaphor is that concepts can be coherent when they "go or fit" together (cf.Lakoff & Johnson 1980).The conceptual metaphor Yahweh is the shepherd of Israel is, for example, not congruous with the conceptual metaphor Yahweh is the husband of Israel.The reason for this is that both metaphors, in terms of the source domains (shepherd and husband) highlight different aspects to describe the target domain (Yahweh).However, the metaphor Yahweh is a shield will be coherent with Yahweh is a fortress, since both draw attention to the protective quality of the deity.Related to the notion of coherency is the idea of metaphorical entailment or instantiation, which plays a role in the way a metaphorical concept is structured.If one applies this to the aforementioned notion of divine shelter, the following metaphorical structure comes to the fore: Yahweh is a rock and fortress A rock and fortress provides protection Therefore: Yahweh provides safety and protection

CONCLUSION
This study highlighted the frequency of refuge metaphors in Psalm 31.The aim was to explicate the use of these metaphors by applying the tenets of the cognitive theory of metaphor.It became clear that the poet's experience of the natural world (source domain) allows for the employment of these concepts with reference to the deity (target domain).Just as the rocks and hills of Palestine offers protection against the enemy, so the supplicant finds refuge in Yahweh.Through the skilful application of a particular metaphorical structure (as opposed to a random selection), the psalmist accentuates those qualities of the divine character, which are appropriate in the situation of affliction.The plaintiff is in need of shelter and therefore Yahweh should act accordingly, that is, safeguard in this regard: