Articles

• Chanting songs in praise of an oppressive leader: A reading of Gloria Ernest Samuel’s The Beautiful Masquerade

  Helen Udumaga Aghamelu

  1-15

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• Re-reading violence and insurgency in two African novels

  Abigail O. O aikhena, Mbanefo Ogene

  16-33

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• Awareness and extent of knowledge of taxonomies of nonverbal communication channels among healthcare providers in South Eastern Nigeria

  Ogochukwu N. Onyenekwe, Ogochukwu C. Ekwenchi, Ifeanyichukwu Ezebialu

  34-45

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• Gender inequality and female struggles for property ownership: An examination of Pat Obi Nwagbo’s When Women Go Naked and Julie Okoh’s Our Wife Forever

  Ifeoma O. Nnamah, Tracie C. Utoh-Ezeajugh

  46-72

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• Film as therapy for neurosis: A psychoanalytical evaluation of Kunle Afolayan’s October 1

  Eugene N. Dike, Alex C. Asigbo

  73-89

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• Animated film as a catalyst for child-centered education: The Kings and Queens Nursery and Primary School Nkpor experience.

  Celestina Onwuka Okeh, Canice Chukwuma Nwosu

  90-108

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• Literature as a chronicle of social history: The historical antecedents of the Ikemefuna story in Chinua Achebe’s Things Fall Apart

  Ngozi Udengwu, Mohammed Inuwa Umar-Buratai

  109-134

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• Paradox of patriarchy in Chimamanda Adichie’s Purple Hibiscus: Making a case for paradigmatic shift

  Alexander Amete, Prof. Alex C. Asigbo

  135-152

  • PDF