Articles

• The Emergence of the South African Farm Crime Novel: Socio-Historical Crimes, Personal Crimes, and the Figure of the Dog

  Sam Naidu

  9-38

  DOI: 10.4314/eia.v43i2.1

  • Requires Subscription PDF
• Towards a Reconceptualization of “(Post)Transitional” South African Cultural Expression

  Aghogho Akpome

  39-62

  DOI: 10.4314/eia.v43i2.2

  • Requires Subscription PDF
• Diving the Reef: Water Metaphors in the Work of Ivan Vladislavić

  Kirby Manià

  63-89

  DOI: 10.4314/eia.v43i2.3

  • Requires Subscription PDF
• Saying “Yes” to the Human Condition: Don Maclennan’s Confrontation with Death and the Meaning of Life

  Ben Shermbrucker

  91-109

  DOI: 10.4314/eia.v43i2.4

  • Requires Subscription Untitled
• Rewriting Abject Spaces and Subjectivities in Lauren Beukes’s Zoo City

  Jocelyn Fryer

  111-129

  DOI: 10.4314/eia.v43i2.5

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• Confronting “Self” and “Other” in Damon Galgut’s The Good Doctor

  Renate Lenz, Marita Wenzel

  131-155

  DOI: 10.4314/eia.v43i2.6

  • Requires Subscription PDF
• Contesting Masculinities: Two Border War Memoirs

  Paul Mason

  157-180

  DOI: 10.4314/eia.v43i2.7

  • Requires Subscription PDF