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EJOTMAS: Ekpoma Journal of Theatre and Media Arts

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Ekpoma Journal of Theatre and Media Arts (EJOTMAS) is committed to the promotion of scholarship in all the areas of Drama and Theatre, Media and Communication, Music and Dance, Performance Studies and other fields in the Arts and Humanities.

Other websites associated with this journal: http://www.aauekpoma.edu.ng/ 


Vol 6, No 1-2 (2017)

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Table of Contents

Articles

Editorial EMAIL FREE FULL TEXT
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Osakue S. Omoera
http://dx.doi.org/10.4314/ejotmas.v6i1-2.
Contrapuntal Significations in Wole Soyinka's Death and the King's Horseman EMAIL FREE FULL TEXT
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Olagoke Olorunleke Ifatimehin
http://dx.doi.org/10.4314/ejotmas.v6i1-2.1
Politics of Language in Kunle Afolayan's The Figurine (Araromire) EMAIL FREE FULL TEXT
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Ruth E. Epochi-Olise
http://dx.doi.org/10.4314/ejotmas.v6i1-2.2
Reflecting Marxist Epistemology and the Irreligiousness of Resource Control in Gbilekaa's Bishop Bassey EMAIL FREE FULL TEXT
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Olympus G. Ejue
http://dx.doi.org/10.4314/ejotmas.v6i1-2.3
Hope Eghagha and the New Counter-Discourse in Death, Not a Redeemer EMAIL FREE FULL TEXT
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Etop Akwang
http://dx.doi.org/10.4314/ejotmas.v6i1-2.4
From Traditional Institutions to Community Based Influencers: The Dynamics of Communicating Development in Rural Communities EMAIL FREE FULL TEXT
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Emmanuel Tsadu Gana
http://dx.doi.org/10.4314/ejotmas.v6i1-2.5
Deconstruction in Performance for Audience Aesthetic Preference: An Experiment with Tyrone Terrence's “A Husband's Wife” EMAIL FREE FULL TEXT
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Oluwatayo B. Isijola
http://dx.doi.org/10.4314/ejotmas.v6i1-2.6
Ensemble Organization of the Band of Fela Anikulapo-Kuti EMAIL FREE FULL TEXT
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Albert Oikelome
http://dx.doi.org/10.4314/ejotmas.v6i1-2.7
Folkism and Modern Nigerian Theatre: A Study of Sam Ukala's Iredi War EMAIL FREE FULL TEXT
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Emmanuel A. Eregare
http://dx.doi.org/10.4314/ejotmas.v6i1-2.8
Challenges of Teaching Practice-Based Dance Art in Nigeria: The Department of Theatre and Media Arts, FUOYE Model EMAIL FREE FULL TEXT
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Casmir E. Onyemuchara
http://dx.doi.org/10.4314/ejotmas.v6i1-2.9
Mock Hunting, Music and Visual Art Forms in Ade u: A Northern Ewe Hunters' Dance-Drumming Ritual in Ghana EMAIL FREE FULL TEXT
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Martin Q. Amlor
http://dx.doi.org/10.4314/ejotmas.v6i1-2.10
Learning for Transformation: Empowering the Nigerian Child through Drama EMAIL FREE FULL TEXT
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Joseph Agofure Idogho
http://dx.doi.org/10.4314/ejotmas.v6i1-2.11
Prevalence of Ritual Images in Yoruba Nollywood Films and the Perception of Contemporary Society EMAIL FREE FULL TEXT
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Olugbenga Elegbe
http://dx.doi.org/10.4314/ejotmas.v6i1-2.12
Agency and Vulnerability: Reconfiguring the Female Characters in Chimamanda Adichie's Love Stories EMAIL FREE FULL TEXT
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Elizabeth O. Ben-Iheanacho
http://dx.doi.org/10.4314/ejotmas.v6i1-2.13
Interrogating Nollywood and its Sources of Funding: The Case of Invasion 1897 EMAIL FREE FULL TEXT
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Silver A. Ojieson
http://dx.doi.org/10.4314/ejotmas.v6i1-2.14
Using Drama to Promote Sustainable Health among Rural Folk in Benue State: Ikyaan and Amua Workshops EMAIL FREE FULL TEXT
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Desen Jonathan Mbachaga
http://dx.doi.org/10.4314/ejotmas.v6i1-2.15
Technical Theatre Practice in Nigerian University Theatres EMAIL FREE FULL TEXT
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Chijioke Yankson Iyamah, Oghenemudiaga Praise Akpughe
http://dx.doi.org/10.4314/ejotmas.v6i1-2.16
An Overview of Somatics (Body-Mind) Approaches in Dance Therapy EMAIL FREE FULL TEXT
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Samson S. Akapo
http://dx.doi.org/10.4314/ejotmas.v6i1-2.17
Pornography and Debasement of Womanhood in African Films: The Examples of Selected Nollywood and Ghallywood Videos EMAIL FREE FULL TEXT
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Charles A. Ogazie, Ibitayo O. Odetade
http://dx.doi.org/10.4314/ejotmas.v6i1-2.18
An Examination of the Festival Motif in Femi Osofisan's Morountodun EMAIL FREE FULL TEXT
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Peter Aihevba, Isaac Atere
http://dx.doi.org/10.4314/ejotmas.v6i1-2.19
The Language of Satire in Nigerian Politics: A Study of the Syntactic Parameters in Wale Okediran's Tenants of the House EMAIL FREE FULL TEXT
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Justina N. Edokpayi
http://dx.doi.org/10.4314/ejotmas.v6i1-2.20
Women in Leadership and Musical Authority in the Celestial Church of Christ EMAIL FREE FULL TEXT
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Femi Faseun, Abayomi O. Bello
http://dx.doi.org/10.4314/ejotmas.v6i1-2.21
Development, Underdevelopment and Poverty: A Linguistic Study of Joseph Edoki's The African Dream EMAIL FREE FULL TEXT
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Grace I. Omo-Ojugo
http://dx.doi.org/10.4314/ejotmas.v6i1-2.22
Costumes in Igogo Masquerade Theatre of the Ekiti People EMAIL FREE FULL TEXT
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Lilian Eguriase Bakare
http://dx.doi.org/10.4314/ejotmas.v6i1-2.23
From the Theatre Phase to the Media Space: Interrogating the Vocational Odyssey of Yemi Ogunbiyi EMAIL FREE FULL TEXT
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Tunde Olusunle
http://dx.doi.org/10.4314/ejotmas.v6i1-2.24
The Dynamics of Directing for the Stage and the Screen EMAIL FREE FULL TEXT
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Yinka Smart Babalola
http://dx.doi.org/10.4314/ejotmas.v6i1-2.25
Re-inventing Multimedia Drama to Unite Africans in the Diaspora: The Example of Ola Rotimi's The Gods are not to Blame in London EMAIL FREE FULL TEXT
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Sola Balogun
http://dx.doi.org/10.4314/ejotmas.v6i1-2.26
Imo Edward's Adaptation of The Great Ponds by Elechi Amadi in Performance: A Review EMAIL FREE FULL TEXT
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Sunday Edum
http://dx.doi.org/10.4314/ejotmas.v6i1-2.27


ISSN: 2449-1179
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