Vol. 6 No. 1-2 (2017) | EJOTMAS: Ekpoma Journal of Theatre and Media Arts

Published: 2017-11-30

Editorial

Osakue S. Omoera

DOI:

10.4314/ejotmas.v6i1-2.

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Contrapuntal Significations in Wole Soyinka's Death and the King's Horseman

Olagoke Olorunleke Ifatimehin

DOI:

10.4314/ejotmas.v6i1-2.1

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Politics of Language in Kunle Afolayan's The Figurine (Araromire)

Ruth E. Epochi-Olise

DOI:

10.4314/ejotmas.v6i1-2.2

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Reflecting Marxist Epistemology and the Irreligiousness of Resource Control in Gbilekaa's Bishop Bassey

Olympus G. Ejue

DOI:

10.4314/ejotmas.v6i1-2.3

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Hope Eghagha and the New Counter-Discourse in Death, Not a Redeemer

Etop Akwang

DOI:

10.4314/ejotmas.v6i1-2.4

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From Traditional Institutions to Community Based Influencers: The Dynamics of Communicating Development in Rural Communities

Emmanuel Tsadu Gana

DOI:

10.4314/ejotmas.v6i1-2.5

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Deconstruction in Performance for Audience Aesthetic Preference: An Experiment with Tyrone Terrence's “A Husband's Wife”

Oluwatayo B. Isijola

DOI:

10.4314/ejotmas.v6i1-2.6

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Ensemble Organization of the Band of Fela Anikulapo-Kuti

Albert Oikelome

DOI:

10.4314/ejotmas.v6i1-2.7

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Folkism and Modern Nigerian Theatre: A Study of Sam Ukala's Iredi War

Emmanuel A. Eregare

DOI:

10.4314/ejotmas.v6i1-2.8

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Challenges of Teaching Practice-Based Dance Art in Nigeria: The Department of Theatre and Media Arts, FUOYE Model

Casmir E. Onyemuchara

DOI:

10.4314/ejotmas.v6i1-2.9

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Mock Hunting, Music and Visual Art Forms in Ade u: A Northern Ewe Hunters' Dance-Drumming Ritual in Ghana

Martin Q. Amlor

DOI:

10.4314/ejotmas.v6i1-2.10

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Learning for Transformation: Empowering the Nigerian Child through Drama

Joseph Agofure Idogho

DOI:

10.4314/ejotmas.v6i1-2.11

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Prevalence of Ritual Images in Yoruba Nollywood Films and the Perception of Contemporary Society

Olugbenga Elegbe

DOI:

10.4314/ejotmas.v6i1-2.12

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Agency and Vulnerability: Reconfiguring the Female Characters in Chimamanda Adichie's Love Stories

Elizabeth O. Ben-Iheanacho

DOI:

10.4314/ejotmas.v6i1-2.13

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Interrogating Nollywood and its Sources of Funding: The Case of Invasion 1897

Silver A. Ojieson

DOI:

10.4314/ejotmas.v6i1-2.14

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Using Drama to Promote Sustainable Health among Rural Folk in Benue State: Ikyaan and Amua Workshops

Desen Jonathan Mbachaga

DOI:

10.4314/ejotmas.v6i1-2.15

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Technical Theatre Practice in Nigerian University Theatres

Chijioke Yankson Iyamah, Oghenemudiaga Praise Akpughe

DOI:

10.4314/ejotmas.v6i1-2.16

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An Overview of Somatics (Body-Mind) Approaches in Dance Therapy

Samson S. Akapo

DOI:

10.4314/ejotmas.v6i1-2.17

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Pornography and Debasement of Womanhood in African Films: The Examples of Selected Nollywood and Ghallywood Videos

Charles A. Ogazie, Ibitayo O. Odetade

DOI:

10.4314/ejotmas.v6i1-2.18

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An Examination of the Festival Motif in Femi Osofisan's Morountodun

Peter Aihevba, Isaac Atere

DOI:

10.4314/ejotmas.v6i1-2.19

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The Language of Satire in Nigerian Politics: A Study of the Syntactic Parameters in Wale Okediran's Tenants of the House

Justina N. Edokpayi

DOI:

10.4314/ejotmas.v6i1-2.20

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Women in Leadership and Musical Authority in the Celestial Church of Christ

Femi Faseun, Abayomi O. Bello

DOI:

10.4314/ejotmas.v6i1-2.21

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Development, Underdevelopment and Poverty: A Linguistic Study of Joseph Edoki's The African Dream

Grace I. Omo-Ojugo

DOI:

10.4314/ejotmas.v6i1-2.22

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Costumes in Igogo Masquerade Theatre of the Ekiti People

Lilian Eguriase Bakare

DOI:

10.4314/ejotmas.v6i1-2.23

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From the Theatre Phase to the Media Space: Interrogating the Vocational Odyssey of Yemi Ogunbiyi

Tunde Olusunle

DOI:

10.4314/ejotmas.v6i1-2.24

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The Dynamics of Directing for the Stage and the Screen

Yinka Smart Babalola

DOI:

10.4314/ejotmas.v6i1-2.25

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Re-inventing Multimedia Drama to Unite Africans in the Diaspora: The Example of Ola Rotimi's The Gods are not to Blame in London

Sola Balogun

DOI:

10.4314/ejotmas.v6i1-2.26

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Imo Edward's Adaptation of The Great Ponds by Elechi Amadi in Performance: A Review

Sunday Edum

DOI:

10.4314/ejotmas.v6i1-2.27

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