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EJOTMAS: Ekpoma Journal of Theatre and Media Arts - Vol 6, No 1-2 (2017)

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Table of Contents

Articles

Editorial EMAIL FREE FULL TEXT
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Osakue S. Omoera
Contrapuntal Significations in Wole Soyinka's Death and the King's Horseman EMAIL FREE FULL TEXT
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Olagoke Olorunleke Ifatimehin
Politics of Language in Kunle Afolayan's The Figurine (Araromire) EMAIL FREE FULL TEXT
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Ruth E. Epochi-Olise
Reflecting Marxist Epistemology and the Irreligiousness of Resource Control in Gbilekaa's Bishop Bassey EMAIL FREE FULL TEXT
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Olympus G. Ejue
Hope Eghagha and the New Counter-Discourse in Death, Not a Redeemer EMAIL FREE FULL TEXT
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Etop Akwang
From Traditional Institutions to Community Based Influencers: The Dynamics of Communicating Development in Rural Communities EMAIL FREE FULL TEXT
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Emmanuel Tsadu Gana
Deconstruction in Performance for Audience Aesthetic Preference: An Experiment with Tyrone Terrence's “A Husband's Wife” EMAIL FREE FULL TEXT
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Oluwatayo B. Isijola
Ensemble Organization of the Band of Fela Anikulapo-Kuti EMAIL FREE FULL TEXT
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Albert Oikelome
Folkism and Modern Nigerian Theatre: A Study of Sam Ukala's Iredi War EMAIL FREE FULL TEXT
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Emmanuel A. Eregare
Challenges of Teaching Practice-Based Dance Art in Nigeria: The Department of Theatre and Media Arts, FUOYE Model EMAIL FREE FULL TEXT
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Casmir E. Onyemuchara
Mock Hunting, Music and Visual Art Forms in Ade u: A Northern Ewe Hunters' Dance-Drumming Ritual in Ghana EMAIL FREE FULL TEXT
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Martin Q. Amlor
Learning for Transformation: Empowering the Nigerian Child through Drama EMAIL FREE FULL TEXT
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Joseph Agofure Idogho
Prevalence of Ritual Images in Yoruba Nollywood Films and the Perception of Contemporary Society EMAIL FREE FULL TEXT
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Olugbenga Elegbe
Agency and Vulnerability: Reconfiguring the Female Characters in Chimamanda Adichie's Love Stories EMAIL FREE FULL TEXT
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Elizabeth O. Ben-Iheanacho
Interrogating Nollywood and its Sources of Funding: The Case of Invasion 1897 EMAIL FREE FULL TEXT
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Silver A. Ojieson
Using Drama to Promote Sustainable Health among Rural Folk in Benue State: Ikyaan and Amua Workshops EMAIL FREE FULL TEXT
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Desen Jonathan Mbachaga
Technical Theatre Practice in Nigerian University Theatres EMAIL FREE FULL TEXT
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Chijioke Yankson Iyamah, Oghenemudiaga Praise Akpughe
An Overview of Somatics (Body-Mind) Approaches in Dance Therapy EMAIL FREE FULL TEXT
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Samson S. Akapo
Pornography and Debasement of Womanhood in African Films: The Examples of Selected Nollywood and Ghallywood Videos EMAIL FREE FULL TEXT
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Charles A. Ogazie, Ibitayo O. Odetade
An Examination of the Festival Motif in Femi Osofisan's Morountodun EMAIL FREE FULL TEXT
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Peter Aihevba, Isaac Atere
The Language of Satire in Nigerian Politics: A Study of the Syntactic Parameters in Wale Okediran's Tenants of the House EMAIL FREE FULL TEXT
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Justina N. Edokpayi
Women in Leadership and Musical Authority in the Celestial Church of Christ EMAIL FREE FULL TEXT
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Femi Faseun, Abayomi O. Bello
Development, Underdevelopment and Poverty: A Linguistic Study of Joseph Edoki's The African Dream EMAIL FREE FULL TEXT
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Grace I. Omo-Ojugo
Costumes in Igogo Masquerade Theatre of the Ekiti People EMAIL FREE FULL TEXT
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Lilian Eguriase Bakare
From the Theatre Phase to the Media Space: Interrogating the Vocational Odyssey of Yemi Ogunbiyi EMAIL FREE FULL TEXT
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Tunde Olusunle
The Dynamics of Directing for the Stage and the Screen EMAIL FREE FULL TEXT
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Yinka Smart Babalola
Re-inventing Multimedia Drama to Unite Africans in the Diaspora: The Example of Ola Rotimi's The Gods are not to Blame in London EMAIL FREE FULL TEXT
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Sola Balogun
Imo Edward's Adaptation of The Great Ponds by Elechi Amadi in Performance: A Review EMAIL FREE FULL TEXT
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Sunday Edum


ISSN: 2449-1179
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