Article Sidebar
Published:
Jan 20, 2016Article Details
The author(s) retain copyright on work published by AOSIS unless specified otherwise.
Licensing and publishing rights
Author(s) of work published by AOSIS are required to grant AOSIS the unlimited rights to publish the definitive work in any format, language and medium, for any lawful purpose. AOSIS requires journal authors to publish their work in open access under the Creative Commons Attribution 4.0 International (CC BY 4.0) licence.
Read more here: http://creativecommons.org/licenses/by/4.0/.
The authors retain the non-exclusive right to do anything they wish with the published article(s), provided attribution is given to the applicable journal with details of the original publication, as set out in the official citation of the article published in the journal. The retained right specifically includes the right to post the article on the authors’ or their institution’s websites or in institutional repositories.
Previously published work may have been published under a different licence. We advise the community that if they would like to reuse the work to consult the applicable licence at article level.
Main Article Content
<i>Een herdersknaap</i>: een gedicht van Jan van het Kruis – kritisch bekeken
Abstract
A shepherd-boy: A poem by Saint John of the Cross – critical meaning. A shepherd-boy, written by Saint John of the Cross around 1584, is a pastoral poem, a common and widespread genre at the time. Although the poet could have drawn from various sources, direct borrowing does not appear to have been the case. The poem has five stanzas, each consisting of four lines, with eleven syllables per line (a cuartet, with enclosing rhyme: abba). In the superscription the poem is described as a song a lo divino, a poetic transposition that transforms a profane text ‘towards the divine’, within a Christian-religious framework. A shepherd-boy places itself within this poetic tradition, but in a unique way, because his transposition is not prompted by catechetical interests, but opts for a mystical perspective.
