Vol. 4 No. 2 (2015) | AFRREV IJAH: An International Journal of Arts and Humanities

Published: 2015-07-02

National Security and National Development: A Critique

JI Ebeh

1-14

DOI:

10.4314/ijah.v4i2.1

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National Integration: A Panacea to Insecurity in Nigeria

OP Adebile

15-27

DOI:

10.4314/ijah.v4i2.2

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Protest Demonstrations, Political Participation and the Law in the Era of Terrorism: Nigeria’s Public Order Act and the United States' HR 347 in Perspectives

OS Eesuola

28-41

DOI:

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Developmental Local Government as a Model for Grassroots Socio-Economic Development in Nigeria

C Okafor, EEO Chukwuemeka, JO Udenta

42-61

DOI:

10.4314/ijah.v4i2.4

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Youth’s Unemployment and Illiteracy: Impact on National Security, the Nigerian Experience

DA Akpan

62-71

DOI:

10.4314/ijah.v4i2.5

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Communication through Performance: Hausa Performance Art

R Lawal

72-81

DOI:

10.4314/ijah.v4i2.6

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Political Protest Songs and Actual Protest Values: Analysis of Fela’s “Sorrow, Tears & Blood” and Bob Marley’s “Stand up, Get up”

OS Eesuola

82-96

DOI:

10.4314/ijah.v4i2.7

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Politics of Resistance and Emancipation in Obari Gomba’s The Ascent Stone

JN Akani

97-106

DOI:

10.4314/ijah.v4i2.8

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Critical Themes in Some Nigerian Diaspora Short Stories

M Ajima

107-120

DOI:

10.4314/ijah.v4i2.9

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Colour Studies: Clarification and Alpha-Numeric Adaptation of Notation Systems for Artists and Designers

ZS Ebigbagha

121-148

DOI:

10.4314/ijah.v4i2.10

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Political Advertising Design in Nigeria, 1960-2007

J Amifor

149-163

DOI:

10.4314/ijah.v4i2.11

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Use of Mobile Phone Technology in Education for Easy Accessibility of Information: Challenges and Prospects

RE Obiadazie, VU Obijiofor

164-178

DOI:

10.4314/ijah.v4i2.12

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An Evaluation of Banks’ Liability in Robbery Incidents at Banks’ Premises in Nigeria

AO Garuba, GOT Otomewo

179-188

DOI:

10.4314/ijah.v4i2.13

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Socio-Cultural Conception of Albinism and Sexuality Challenges among Persons with Albinism (PWA) in South-West, Nigeria

AD Ikuomola

189-208

DOI:

10.4314/ijah.v4i2.14

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Artistic Activism in Nigeria Art: A Course, a Cause

J Otu, J Oladesu, BS Sani

209-223

DOI:

10.4314/ijah.v4i2.15

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AFRREV IJAH: An International Journal of Arts and Humanities
Journal / AFRREV IJAH: An International Journal of Arts and Humanities / Vol. 4 No. 2 (2015) / Articles

Articles

National Security and National Development: A Critique

DOI:

National Integration: A Panacea to Insecurity in Nigeria

DOI:

Protest Demonstrations, Political Participation and the Law in the Era of Terrorism: Nigeria’s Public Order Act and the United States' HR 347 in Perspectives

DOI:

Developmental Local Government as a Model for Grassroots Socio-Economic Development in Nigeria

DOI:

Youth’s Unemployment and Illiteracy: Impact on National Security, the Nigerian Experience

DOI:

Communication through Performance: Hausa Performance Art

DOI:

Political Protest Songs and Actual Protest Values: Analysis of Fela’s “Sorrow, Tears & Blood” and Bob Marley’s “Stand up, Get up”

DOI:

Politics of Resistance and Emancipation in Obari Gomba’s The Ascent Stone

DOI:

Critical Themes in Some Nigerian Diaspora Short Stories

DOI:

Colour Studies: Clarification and Alpha-Numeric Adaptation of Notation Systems for Artists and Designers

DOI:

Political Advertising Design in Nigeria, 1960-2007

DOI:

Use of Mobile Phone Technology in Education for Easy Accessibility of Information: Challenges and Prospects

DOI:

An Evaluation of Banks’ Liability in Robbery Incidents at Banks’ Premises in Nigeria

DOI:

Socio-Cultural Conception of Albinism and Sexuality Challenges among Persons with Albinism (PWA) in South-West, Nigeria

DOI:

Artistic Activism in Nigeria Art: A Course, a Cause

DOI: