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Waiting on the Border: a Comparative Study of Dino Buzzati’s <i>Il deserto dei Tartari</i> and J.M. Coetzee’s <i>Waiting for the Barbarians</i>
Abstract
Il deserto dei Tartari and 1 share some crucial elements in common and it may seem strange that two authors with such diverse backgrounds like Dino Buzzati and J. M. Coetzee chose the same setting — a walled space on the border — and the same allegory — the threat of an invasion from the northern desert. It seems a reasonable hypothesis that a similar climate of political claustrophobia and insecurity as well as a sense of looming disaster shaped their works.