Vol 4 (2010)
Open Access
Subscription or Fee Access
Table of Contents
Articles
| Foundations of Pragmatics: the Primacy of Language in African Music Theory, Practice and Education |
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| DCC Agu | 10-18 |
| Language in Nigerian Music Scholarship: The Dearth of Intellectualism |
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| 'Tunji Vidal, 'Femi Adedeji | 19-34 |
| Text and Tune in Nigerian Solo Folk Song Arrangements: A Performer's Perspective on the Creativity, Limitations and New Directions |
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| E Onyeji | 35-45 |
| The Nigerian Art Music Composer, His Training, Vocal Compositions and His Language |
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| J Akpakpan | 46-57 |
| Conflicts of Principles and Ideologies in Musicological Terminology: Issues and Requisites |
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| J Okoro | 58-65 |
| Music, Language and the Universal implication of Meaning |
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| E Ibekwe | 66-73 |
| The Poetic Attributes of Àpàlà and Sákárà Music of South Western Nigeria |
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| O Stephen, | 74-83 |
| Composing in Nigerian Pidgin: Towards the Realization of a Common Nigerian Indigenous Musical Language |
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| A-I Nwamara | 84-94 |
| Language Dynamics in Contemporary Nigerian Gospel Music |
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| 'Femi Adedeji | 95-116 |
| The Laws of Flexibility, Liberality and Contextuality in Musical Construction in Tonal Language: Theories Deriving from Okpe Igoru Music |
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| O Idamoyibo | 117-126 |
| Music, Language and the Child |
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| G Ekong | 127-135 |
| Musical Varieties in Yorùbá Oral Poetry: A Synopsis of Selected Genres |
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| A Okunade | 136-144 |
| Popular Songs, Literary Texts: a Linguistic Approach to the Music of 2 Face Idibia |
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| A Oikelome | 145-158 |
ISSN: 1597-0597
