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The art of constructing Omele Adamo drum: A pictorial demonstration model


Mary Taiwo Omotosho

Abstract

Existing studies have largely focused more on the playing techniques of musical instruments in Africa than their instrumental technology. This paper, therefore, examines the technological aspect of musical instruments construction with a view to identifying the materials used and making a systematic presentation through a pictorial demonstration model of the construction of the omele adamo (a type of dundun drum). This paper used ethnographic techniques including participant observation and an in-depth interview to generate data from a drum maker. Data was also collected through audio recording devices and digital cameras in Ile-Ife. The result shows that the materials are germane to the process of construction for required sound production. The implication however is that if the trees used for construction are no longer planted, the drum will go into extinction. The paper concludes that the art of constructing omele adamo drum requires the application of ‘scientific process’, proven to be an acceptable standard format. Despite the extent of technological process involved, its construction is not a daunting task. This paper suggests a further research in the construction process of other drums in Africa.


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eISSN: 1597-0590