Journal of the Association of Nigerian Musicologists

Articles

• Ethos and Pathos in Nigerian music

  Joseph A. Ajienka

  1-32

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• Ethos and Pathos of Nigerian traditional dances: Conceptualising the Igiri dance of the Igbos

  Festus Ife Olisaeke

  33-44

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• Hazards and artistes in Okpẹ traditional music practice

  Emurobọmẹ G. Idọlọr, Bruno D. Ekewenu

  45-58

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• Music and rituals in Igbo traditional society

  Chukwuebuka Mmaduabuchi Okoli

  59-67

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• X-raying the compositional elements inherent in four compositions of Samuel Nehemiah Bumneme Ojukwu through analysis

  Izuchukwu John Ewulu

  69-93

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• Investigation into the pathos of music teacher preparation: A focus on Alvan Ikoku Federal College of Education, Owerri

  Calista A. N. Ugwu

  94-105

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• Analytical discourse on the performance and compositional techniques of Hannatu Japhet Gani’s indigenous gospel songs

  Olasunbo Omolara Loko, Omotolani Ebenezer Ekpo

  106-119

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• Factors inhibiting music technological devices to the Ethos and Pathos in music education in tertiary institutions in Delta State

  Florence Nkechi Nmadu, Maureen Ada Uche

  120-142

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• Echoes of deviance and the evolution of the principles of Marlianism in Nigerian popular music

  Jude Toochukwu Orakwe

  143-153

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• The Ethos and Pathos of ostinato patterns in Nigerian advertising music

  Sunday Oluwaseun Ukaewen, Joshua Adewale Afolabi

  154-171

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• Musical ethos in (Bini) Olokun worship and its derivatives in some African indigenous churches (AIC)

  Yemi Andrew Akperi, John Aideloje Abolagba, Estes John Aibuedefe

  172-195

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• Issue of paternal exclusion in Yoruba Dùndún ensemble

  Samuel Adeleke Joel, Bamidele Vincent Omolaye

  196-210

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• Ethos and pathos of the musical tones of the Kundung (xylophone) of the Berom people of Plateau State

  Samuel Yohanna Davou, Alvan-Ikoku O. Nwamara

  211-224

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