Vol. 16 No. 2 (2022) | Journal of the Association of Nigerian Musicologists

Published: 2022-08-23

Ethos and Pathos in Nigerian music

Joseph A. Ajienka

1-32

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Ethos and Pathos of Nigerian traditional dances: Conceptualising the Igiri dance of the Igbos

Festus Ife Olisaeke

33-44

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Hazards and artistes in Okpẹ traditional music practice

Emurobọmẹ G. Idọlọr, Bruno D. Ekewenu

45-58

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Music and rituals in Igbo traditional society

Chukwuebuka Mmaduabuchi Okoli

59-67

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X-raying the compositional elements inherent in four compositions of Samuel Nehemiah Bumneme Ojukwu through analysis

Izuchukwu John Ewulu

69-93

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Investigation into the pathos of music teacher preparation: A focus on Alvan Ikoku Federal College of Education, Owerri

Calista A. N. Ugwu

94-105

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Analytical discourse on the performance and compositional techniques of Hannatu Japhet Gani’s indigenous gospel songs

Olasunbo Omolara Loko, Omotolani Ebenezer Ekpo

106-119

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Factors inhibiting music technological devices to the Ethos and Pathos in music education in tertiary institutions in Delta State

Florence Nkechi Nmadu, Maureen Ada Uche

120-142

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Echoes of deviance and the evolution of the principles of Marlianism in Nigerian popular music

Jude Toochukwu Orakwe

143-153

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The Ethos and Pathos of ostinato patterns in Nigerian advertising music

Sunday Oluwaseun Ukaewen, Joshua Adewale Afolabi

154-171

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Musical ethos in (Bini) Olokun worship and its derivatives in some African indigenous churches (AIC)

Yemi Andrew Akperi, John Aideloje Abolagba, Estes John Aibuedefe

172-195

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Issue of paternal exclusion in Yoruba Dùndún ensemble

Samuel Adeleke Joel, Bamidele Vincent Omolaye

196-210

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Ethos and pathos of the musical tones of the Kundung (xylophone) of the Berom people of Plateau State

Samuel Yohanna Davou, Alvan-Ikoku O. Nwamara

211-224

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Journal of the Association of Nigerian Musicologists
Journal / Journal of the Association of Nigerian Musicologists / Vol. 16 No. 2 (2022) / Articles

Articles

Ethos and Pathos in Nigerian music

DOI:

Ethos and Pathos of Nigerian traditional dances: Conceptualising the Igiri dance of the Igbos

DOI:

Hazards and artistes in Okpẹ traditional music practice

DOI:

Music and rituals in Igbo traditional society

DOI:

X-raying the compositional elements inherent in four compositions of Samuel Nehemiah Bumneme Ojukwu through analysis

DOI:

Investigation into the pathos of music teacher preparation: A focus on Alvan Ikoku Federal College of Education, Owerri

DOI:

Analytical discourse on the performance and compositional techniques of Hannatu Japhet Gani’s indigenous gospel songs

DOI:

Factors inhibiting music technological devices to the Ethos and Pathos in music education in tertiary institutions in Delta State

DOI:

Echoes of deviance and the evolution of the principles of Marlianism in Nigerian popular music

DOI:

The Ethos and Pathos of ostinato patterns in Nigerian advertising music

DOI:

Musical ethos in (Bini) Olokun worship and its derivatives in some African indigenous churches (AIC)

DOI:

Issue of paternal exclusion in Yoruba Dùndún ensemble

DOI:

Ethos and pathos of the musical tones of the Kundung (xylophone) of the Berom people of Plateau State

DOI:

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