
The Journal of the Musical Arts in Africa (JMAA) is published by NISC (Pty) Ltd in association with the South African College of Music at the University of Cape Town. It is an accredited, internationally refereed journal that aims to combine ethnomusicological, musicological, music educational and performance-based research in a unique way to promote the musical arts on the African continent. This journal also incorporates book, audio and audiovisual media and software reviews.
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Vol 14, No 1-2 (2017)
Table of Contents
Articles
| Editorial: What has happened to song, dance and play in academia? |
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| Anri Herbst |
| The promotion of Setswana through hip hop and motswakolistas |
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| Thabo Ditsele | 1-14 |
| The marriage of instinct and ingenuity: canonic writing in the music of Hendrik Hofmeyr |
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| James May | 15-52 |
| Repackaging Igbo folksongs for global acceptance: towards reviving and preserving the musical heritage of a Nigerian community |
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| Alvan-Ikoku O. Nwamara | 53-67 |
| An African Festivity for Flute: sensing diversity, creolisation and knowledge through sound |
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| Marietjie Pauw | 69-86 |
| African Rhythms for flute, clarinet, violin, cello, percussion and piano |
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| Ayò Olúrántí | 87-93 |
| Book Reviews |
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| Andrea Emberly | 95-98 |
| Book Review: Musics of the Free State: Reflections on a Musical Past, Present, and Future |
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| Erin Johnson-Williams | 99-102 |
| Life and Live Art: reflexive comments on interdisciplinary performances in Cape Town |
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| Jackï Job | 103-107 |
ISSN: 2070-626X
