Article Sidebar
Published:
May 11, 2016DOI:
10.4314/ljh.v25i1.5Keywords:
Article Details
Creative Commons License
Attribution-Noncommercial- Noderivates 4.0 International (CC BY-NC-ND 4.0): The license allows others to “download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially” (Source: https:creativecommons.org/licenses).
Copyright
The copyright of all papers published in Legon Journal of the Humanities is vested in the journal. By agreeing to publish the accepted version of the paper in LJH, contributors automatically cede copyright of the manuscript to the journal. This notwithstanding, contributors may use parts of their published articles for non-commercial purposes, e.g., course material, conferences, and academic profile webpage.
Access and Attribution
While LJH published papers (new and archived) can be freely downloaded from its website in compliance with its gratis open access policy, hard copies of current and recent issues as well as offprints of specific papers can only be provided on demand.
Citation of a paper from LJH should include name of quoted author, journal title, volume, number, title of paper, page, year of publication, and Digital Object Identifier (DOI)/Uniform Resource Locator(URL).
Main Article Content
Reading Ayi Kwei Armah’s <i>Why are We so Blest</i>?
Abstract
This paper is a revised version of a 1974 essay I wrote on the novel when it was first published in the early 1970s. The changes I have made for the present publication are not substantial and in the main the original impression remains undisturbed, the primary objective of the current exercises, now as then, being to guide the reader in a generic reading of the novel. An amazing novel steeped in a complex maze of philosophies, ideologies and ideas, Why are we so blest? presents a perplexing mix of literature, history, and myth, and part of my undertaking in this article is to attempt a mining of the novel’s treasures for the benefit of the ardent reader. The focus of this paper is thematic but the approach is mainly semic; hence most of my investigation revolves round character study and the relevance of character in the semantic vision of Armah.
Keywords: Utopia, love, race, violence, African liberation
