A sculptural representation of ‘traditional’ marriage (Igba Nkwu) in Ichida Town, Anambra State.

Abstract

This study attempts to recreate the important values of Ichida traditional marriage rites in visual form. These rites where replicated by using various forms and types of metal scraps. The choice of metal media is based on its rate of permanency. By reflecting on the past, this study brings the traditional marriage of Ichida back to limelight though visual representation. The essence of this study is to engage the challenges facing the visual arts especially sculpture in terms of materials. The study shows that it is possible to retain the initial finish of a sculpture without having to go through the long processes of repairing from time to time. The study also exposes the innate potentialities of waste materials in terms of their deployment in sculptural experimentation. It is hoped that this study will motivate the younger generation of Ichida people and the Igbo at large, who seem to neglect the significance of their traditional values, to take more interest in their local cultures.