Vol 14, No 1 (2016)
Open Access
Subscription or Fee Access
Table of Contents
Articles
| Analytical probing of ordered music for the promotion of global peace, security and ordered world |
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| Olufemi A. Olaleye | 1-17 |
| Contemporary compositional procedures in Nigerian music practices: types and presentational styles |
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| Dan C.C. Agu, Mabel U. Okpara | 19-35 |
| Performance practice and functions of local wine and beer parlor songs in rural Yoruba Communities in Ogbomoso |
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| Kayode O. Olusola | 37-57 |
| Psychosocial perspectives on music piracy in Nigeria |
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| Olugbenga Loko | 59-71 |
| Enhancing musical creativity through indigenous knowledge system: the case of the IGBO musicians |
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| Eunice Ibekwe | 73-85 |
| The amphibology of musical arts in Nigerian contemporary music scholarship |
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| Femi Adedeji | 87-98 |
| Recording technology in contemporary Nigeria: connecting the Nigerian youth and the drive for development and sustainability |
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| Kehinde Oluyemisi Faniyi, Oluwarotimi Olaosebikan, Omolara Olasunbo Loko, Olugbenga Olanrewaju Loko | 99-113 |
| Poly-eclecticism in the Juju music of Abiodun Awesola (awesome tones’ band) |
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| Vincent Bamidele Omolaye | 115-131 |
| A socio-musical analysis of Ayo Bankole’s choral music: Fun Mi N’ibeji |
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| Mary Taiwo Omotosho | 133-156 |
ISSN: 1116-428X
