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Nigerian Music Review - Vol 14, No 1 (2016)

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Table of Contents

Articles

Analytical probing of ordered music for the promotion of global peace, security and ordered world
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Olufemi A. Olaleye 1-17
Contemporary compositional procedures in Nigerian music practices: types and presentational styles
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Dan C.C. Agu, Mabel U. Okpara 19-35
Performance practice and functions of local wine and beer parlor songs in rural Yoruba Communities in Ogbomoso
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Kayode O. Olusola 37-57
Psychosocial perspectives on music piracy in Nigeria
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Olugbenga Loko 59-71
Enhancing musical creativity through indigenous knowledge system: the case of the IGBO musicians
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Eunice Ibekwe 73-85
The amphibology of musical arts in Nigerian contemporary music scholarship
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Femi Adedeji 87-98
Recording technology in contemporary Nigeria: connecting the Nigerian youth and the drive for development and sustainability
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Kehinde Oluyemisi Faniyi, Oluwarotimi Olaosebikan, Omolara Olasunbo Loko, Olugbenga Olanrewaju Loko 99-113
Poly-eclecticism in the Juju music of Abiodun Awesola (awesome tones’ band)
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Vincent Bamidele Omolaye 115-131
A socio-musical analysis of Ayo Bankole’s choral music: Fun Mi N’ibeji
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Mary Taiwo Omotosho 133-156


ISSN: 1116-428X
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