Vol. 19 No. 1 (2019) | Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists

Nipping terrorism in the bud in the Nigerian space: The vision in Irobi’s Hangmen Also Die and Ezenwanebe’s Giddy Festival

Oja Paul Egwuemi, Philip Peter Akoje

1-15

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Drama and counter terrorism in Nigeria: The example of Yerima’s hard ground

Tekena Gasper Mark

16-29

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Counter-terrorism and socio-political acculturation in Yerima’s heart of stone and Pari

Stanley Timeyin Ohenhen

30-44

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Rethinking the terror of terrorism on national development in Yerima's Pari

Chris Nwaru

45-55

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Cultural renaissance or monarchical terrorism: A postcolonial reading of Yerima’s Iyase and Osofisan’s Many colours make the Thunder-King

Clement O. A. Ajidahun

56-67

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Counter terrorism in Yerima’s Pari and Osofisan’s Morountodun

Rasheed Oshoke Ogakason, Lanre Qasim Adenekan

68-80

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Dramaturgy of space and theatricality of counter-terrorism: Farewell to Babylon and Farewell to a virus of anomie as paradigms

Adediran Kayode Ademiju-Bepo

81-90

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Cultural terrorism in Binebai’s Karena’s Cross: A postcolonial overview

Ruth Etuwe Epochi-Olise

91-111

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Countering cultural terrorism on women in Africa: An interrogation of Binebai’s Karena’s Cross

Ebifaghe Owei Fawei

112-125

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Counter-terrorism and Nigeria’s security: An investigation of umuko’s The Scent of Crude Oil

Cindy Anene Ezeugwu

126-135

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The state as terrorist: A pictorial reading of the visual theatre play, “Harvest of Ghosts”

Martins Uze E. Tugbokorowei

136-147

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Redefining 'Religious Terrorism' and the role of the Nigerian playwright

Kasarachi Collins Okpeh

148-160

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Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists
Journal / Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists / Vol. 19 No. 1 (2019) / Articles

Articles

Nipping terrorism in the bud in the Nigerian space: The vision in Irobi’s Hangmen Also Die and Ezenwanebe’s Giddy Festival

Drama and counter terrorism in Nigeria: The example of Yerima’s hard ground

Counter-terrorism and socio-political acculturation in Yerima’s heart of stone and Pari

Rethinking the terror of terrorism on national development in Yerima's Pari

Cultural renaissance or monarchical terrorism: A postcolonial reading of Yerima’s Iyase and Osofisan’s Many colours make the Thunder-King

Counter terrorism in Yerima’s Pari and Osofisan’s Morountodun

Dramaturgy of space and theatricality of counter-terrorism: Farewell to Babylon and Farewell to a virus of anomie as paradigms

Cultural terrorism in Binebai’s Karena’s Cross: A postcolonial overview

Countering cultural terrorism on women in Africa: An interrogation of Binebai’s Karena’s Cross

Counter-terrorism and Nigeria’s security: An investigation of umuko’s The Scent of Crude Oil

The state as terrorist: A pictorial reading of the visual theatre play, “Harvest of Ghosts”

Redefining 'Religious Terrorism' and the role of the Nigerian playwright