Vol. 17 No. 2 (2017) | Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists

Contextualising change in Nigeria’s leadership question through the film medium: A critical reading of Jeta Amata’s Black November

Barclays Foubiri Ayakoroma

1-17

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Change ideology in Femi Osofisan’s once upon four robbers

Aondowase Boh

18-28

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Approach to playwriting in a time of change in Nigeria: The application of post-indiginist realism

Oluchi J. Igili

46-63

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The change mantra: Redefining costuming in Nollywood films

Etuwe Ruth Epochi-Olise

64-81

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Muyiwa Ademola’s Owo Okuta (The Law of Karma) in the context of governance in Nigeria

Hameed Olutoba Lawal

82-91

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Film in social mobilization and human development

Teddy Thaddeus Hanmakyugh

92-117

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‘Glocalization’ and marketing strategies in Nigeria: Implications for the Nollywood industry

Chisimdi Udoka Ihentuge

118-134

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Feminism and the change mantra in Akinwunmi Isola's dramatic text of Madam Efunroye Tinubu: The Iyalode Egba

Idowu Kojusotito Olatunji

135-144

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Providindg direction for the Nigerian cultural reorientation in Iyorwuese Hagher’s Lifetimes

Tayo Simeon Arinde, Olaitan Lateef Rasheed

145-158

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Nigerian playwrights in search of change: Julie Okoh, Alex Asigbo, Tracie Utoh-Ezeajugh and Emmanuel Emasealu Examined

Sunday Edum

159-170

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Cosmological aesthetics as change indicators in selected plays of Esiaba Irobi

Kelechi Stellamaris Ogbonna

171-186

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Social-Darwinism and change in Nigerian drama: A study of Eni-Jones Umuko’s The Scent of Crude Oil

Cindy Ezeugwu

187-194

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Re-inventing the populist dramaturgy and stagecraft in literary Nigerian theatre

Olympus G. Ejue

195-210

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Negotiating identity: Theatre, performance and criticism in Africa

Emmanuel S. Dandaura

211-224

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Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists
Journal / Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists / Vol. 17 No. 2 (2017) / Articles

Articles

Contextualising change in Nigeria’s leadership question through the film medium: A critical reading of Jeta Amata’s Black November

Change ideology in Femi Osofisan’s once upon four robbers

Approach to playwriting in a time of change in Nigeria: The application of post-indiginist realism

The change mantra: Redefining costuming in Nollywood films

Muyiwa Ademola’s Owo Okuta (The Law of Karma) in the context of governance in Nigeria

Film in social mobilization and human development

‘Glocalization’ and marketing strategies in Nigeria: Implications for the Nollywood industry

Feminism and the change mantra in Akinwunmi Isola's dramatic text of Madam Efunroye Tinubu: The Iyalode Egba

Providindg direction for the Nigerian cultural reorientation in Iyorwuese Hagher’s Lifetimes

Nigerian playwrights in search of change: Julie Okoh, Alex Asigbo, Tracie Utoh-Ezeajugh and Emmanuel Emasealu Examined

Cosmological aesthetics as change indicators in selected plays of Esiaba Irobi

Social-Darwinism and change in Nigerian drama: A study of Eni-Jones Umuko’s The Scent of Crude Oil

Re-inventing the populist dramaturgy and stagecraft in literary Nigerian theatre

Negotiating identity: Theatre, performance and criticism in Africa