Vol. 23 No. 1-2 (2023) | Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists

Published: 2023-06-29

Nigerian theatre in a digital era

Sunday Enessi Ododo

3-12

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The viability of social media theatre in Nigeria and the proliferation of actors and audience in the cyberspace

Ameh Dennis Akoh, Anthony Echefunachukwu Ugwu

14-26

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Artistic creativity, digital technologies and theatrical sustainability: Integrating new media in theatre practice

Aondowase Boh, Terkimbi Joseph Adoka

27-37

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The changing narratives in Nollywood movie viewing through online streaming

Solomon Idyo , Jeremiah Methuselah

38-47

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Cultural and creative industries and theatre praxis in a digital epoch

Okhaifo Phillandar Eseigbe

48-57

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Performing on the cyberspace: The Mupun Njingkook experiment

Dakwom Makpring Longgul

58-68

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An analysis of digital devices as elements of storytelling and emplotment in Kemi Adetiba’s King Of Boys II

Ihuoma Okorie

69-84

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Performing the ‘invisible’ in Yemoja and ‘our family secret’ through multimedia and virtual theatre

Abiola Olubunmi Adumati

85-95

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Theories, concepts and classifications of African costumes, dress culture, make-up and body designs in the 21st century

Tracie Chima Utoh-Ezeajugh

99-121

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Theatre without borders: Evaluating e-book publication of play texts in the nigerian educational space

Iheanacho C. Iweha

122-136

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Making theatre in digital spaces: The imperative of Ijov Mbakuv on social media platforms

Joel Avaungwa Fanyam, Bem Alfred Abugh

137-146

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Changing with changing times: a peep into Nollywood physical film markets in the era of online marketing

Chisimdi Udoka

147-160

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Postdigital theatre: Beyond digital alienation of live theatre on the Nigerian performance space

Bode Ojoniyi

161-175

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Nollywood and the challenge of digital archiving and preservation in the digital era

Adediran Kayode Ademiju-Bepo, Solomon Idyo

176-185

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Digital technology and Nollywood film industry

Teddy Thaddeus Hanmakyugh

187-199

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Amplifying theatre aura in the era of amplified technology

Shalom Ibironke , Roseline Ande Yacim

200-211

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Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists
Journal / Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists / Vol. 23 No. 1-2 (2023) / Articles

Articles

Nigerian theatre in a digital era

DOI:

The viability of social media theatre in Nigeria and the proliferation of actors and audience in the cyberspace

DOI:

Artistic creativity, digital technologies and theatrical sustainability: Integrating new media in theatre practice

DOI:

The changing narratives in Nollywood movie viewing through online streaming

DOI:

Cultural and creative industries and theatre praxis in a digital epoch

DOI:

Performing on the cyberspace: The Mupun Njingkook experiment

DOI:

An analysis of digital devices as elements of storytelling and emplotment in Kemi Adetiba’s King Of Boys II

DOI:

Performing the ‘invisible’ in Yemoja and ‘our family secret’ through multimedia and virtual theatre

DOI:

Theories, concepts and classifications of African costumes, dress culture, make-up and body designs in the 21st century

DOI:

Theatre without borders: Evaluating e-book publication of play texts in the nigerian educational space

DOI:

Making theatre in digital spaces: The imperative of Ijov Mbakuv on social media platforms

DOI:

Changing with changing times: a peep into Nollywood physical film markets in the era of online marketing

DOI:

Postdigital theatre: Beyond digital alienation of live theatre on the Nigerian performance space

DOI:

Nollywood and the challenge of digital archiving and preservation in the digital era

DOI:

Digital technology and Nollywood film industry

DOI:

Amplifying theatre aura in the era of amplified technology

DOI:

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