Vol. 39 (2019) | South African Music Studies

Editorial: On Loss

Juliana M. Pistorius, Stephanus Muller

1-17

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Whose Music is Ethnic? A Response to Winfried Lüdemann

Etienne Viviers

20-22

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‘I might seem out of place here’: Exploring Whiteness and Belonging in Hog Hoggidy Hog’s Oink!

Marc Röntsch

23-43

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‘They called me the “Ag Pleez Deddy” man’: On the (Be)longing of Jeremy Taylor

Lizabé Lambrechts, Jeremy Taylor

44-86

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Dancing with Philosophy: A Ficto-Critical Report on Timothy Taylor’s Critique of Kevin Volans

Martin Scherzinger

92-133

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Between the Musical Anti- and Post-Apartheid: Structures of Crisis in Kevin Volans’s String Quartet No. 5, Dancers on a Plane

William Fourie

134-175

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Report on the 2019 Kevin Volans Lecture Series in Johannesburg

Jaco Meyer

176-181

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On Composition and Teaching – An Interview with Kevin Volans

Jaco Meyer

182-208

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This Is How It Is: A Tribute to Kevin Volans

Andrew Hamilton

209-210

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Bridging Art and Traditional Music at the University of Ghana: Intellectual Legacies of J.H. Kwabena Nketia and Akin Euba

Colter Harper, N. Laryea Akwetteh

213-238

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‘Nothing’s straightforward, I’m afraid’: An Interview with John Joubert at his Home at 63 School Road, Birmingham, 12 January 2001

Stephanus Muller

239-262

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I Blog What I Miss: Reflections on the Decline of South African Music Journalism

Gwen Ansell

269-289

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A Sisgwenjazz Selection

Gwen Ansell

290-314

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‘Being in the Zone’: Towards a Conceptual Understanding of Flow during Optimal Solo Performance

Catherine Foxcroft

314-344

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Review Article: Arnold Schoenberg’s Op 11/1, Friedrich Hartmann’s Fully-Chromaticised Scales and Analytical System, and the Henk Temmingh-Bernard van der Linde Debate

Jeffrey Brukman

345-376

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South African Music Studies
Journal / South African Music Studies / Vol. 39 (2019) / Articles

Articles

Editorial: On Loss

Whose Music is Ethnic? A Response to Winfried Lüdemann

‘I might seem out of place here’: Exploring Whiteness and Belonging in Hog Hoggidy Hog’s Oink!

‘They called me the “Ag Pleez Deddy” man’: On the (Be)longing of Jeremy Taylor

Dancing with Philosophy: A Ficto-Critical Report on Timothy Taylor’s Critique of Kevin Volans

Between the Musical Anti- and Post-Apartheid: Structures of Crisis in Kevin Volans’s String Quartet No. 5, Dancers on a Plane

Report on the 2019 Kevin Volans Lecture Series in Johannesburg

On Composition and Teaching – An Interview with Kevin Volans

This Is How It Is: A Tribute to Kevin Volans

Bridging Art and Traditional Music at the University of Ghana: Intellectual Legacies of J.H. Kwabena Nketia and Akin Euba

‘Nothing’s straightforward, I’m afraid’: An Interview with John Joubert at his Home at 63 School Road, Birmingham, 12 January 2001

I Blog What I Miss: Reflections on the Decline of South African Music Journalism

A Sisgwenjazz Selection

‘Being in the Zone’: Towards a Conceptual Understanding of Flow during Optimal Solo Performance

Review Article: Arnold Schoenberg’s Op 11/1, Friedrich Hartmann’s Fully-Chromaticised Scales and Analytical System, and the Henk Temmingh-Bernard van der Linde Debate

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