Articles

• The redoubtable Nofinishi Dywili, uhadi master and Xhosa song leader

  D Dargie

  1-30

  • Requires Subscription PDF
• Tracing tribe: Hugh Tracey and the cultural politics of retribalisation.

  G Felber

  31-44

  • Requires Subscription PDF
• ‘Never the twain shall meet’: Africanist Art Music and the end of apartheid.

  TM Pooley

  45-70

  • Requires Subscription PDF
• Music as discipline, solidarity and nostalgia in the Zonderwater prisoner of war camp of South Africa

  D Somma

  71-88

  • Requires Subscription PDF
• An intertextual reading of the ‘Elegia’ from Arnold van Wyk’s Duo Concertante

  MT Wium

  87-128

  • Requires Subscription PDF
• The effect of the Tomatis Method on the psychological well-being and piano performance of student pianists: An exploratory study

  A Vercueil, H Taljaard, W du Plessis

  129-158

  • Requires Subscription PDF
• The piano teaching situation from a student perspective: A South African qualitative study

  F de Villiers

  159-176

  • Requires Subscription PDF
• Review: Beethoven sonatas for cello and piano

  M Stolp

  177-186

  • Requires Subscription PDF
• Book Review: Sonic spaces of the Karoo: The sacred music of a South African coloured community

  P Fourie

  187-190

  • Requires Subscription PDF