Shakespeare in Southern Africa is interested in both literary and theatrical approaches to Shakespeare. Its geographical scope is not confined to Southern Africa. Contributions discussing the legacy of Shakespeare elsewhere in Africa, with a specific focus on the Shakespearean experience in particular African countries, are especially welcome. The journal actively seeks to publish articles investigating the impact of Shakespeare in other parts of the world, such as India, the United States, South East Asia and South America.
Other websites related to this journal: http://shakespeare.org.za/shakespeare-in-southern-africa/
Vol 30 (2017)
Open Access
Subscription or Fee Access
Table of Contents
Articles
| Editorial: “Decolonising Shakespeare?” contestations and re-imaginings for a post-liberation South Africa |
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| Lliane Loots, Sandra Young, Miranda Young-Jahangeer | |
| http://dx.doi.org/10.4314/sisa.v30i1.1S | |
| From Shakespearean singularity to singular Shakespeares: finding new names for will-in-the-world |
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| Chris Thurman | 1-13 |
| http://dx.doi.org/10.4314/sisa.v30i1.2S | |
| Reflections on a black Paulina: a personal tale recounted from a retrospective perspective |
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| Noxolo Matete | 30-42 |
| http://dx.doi.org/10.4314/sisa.v30i1.4S | |
| “To tell our Storie”: reflections on a queer adaptation of Hamletin twenty-first century South Africa |
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| Thys Heydenrych | 43-55 |
| http://dx.doi.org/10.4314/sisa.v30i1.5S | |
| A South African Romeo and Juliet: gender identity in Minky Schlesinger’s Gugu and Andile |
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| Chandré Botha, Chris Broodryk | 56-69 |
| http://dx.doi.org/10.4314/sisa.v30i1.6S | |
| Black queer woman Iago |
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| Pumelela ‘Push’ Nqelenga | 70-75 |
| http://dx.doi.org/10.4314/sisa.v30i1.7S | |
| To play is the thing: (re)imagining Shakespeare on a post-colonial stage |
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| Tamar Meskin | 76-85 |
| http://dx.doi.org/10.4314/sisa.v30i1.8S | |
| Transformation’s Tempest: Miranda as a student of higher education in South Africa |
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| Ayanda Khala-Phiri | 86-94 |
| http://dx.doi.org/10.4314/sisa.v30i1.9S | |
| “Much Ado About …” multiple directorial readings across histories and cultures |
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| Deborah Lutge | 95-106 |
| http://dx.doi.org/10.4314/sisa.v30i1.10S | |
| Interview: Introducing Sonny – the story of “The Robben Island Bible” |
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| Devaksha Moodley | 107-112 |
| http://dx.doi.org/10.4314/sisa.v30i1.11S | |
| Review: The Robben Island Shakespeare by Matthew Hahn |
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| Marié-Heleen Coetzee | 113-115 |
| http://dx.doi.org/10.4314/sisa.v30i1.12S | |
| Review: The Storming by the Insurrections Ensemble |
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| Dilip Menon | 116-118 |
| http://dx.doi.org/10.4314/sisa.v30i1.13S | |
| Review: Coriolanus/ Post-Coriolanus/ Counter-Coriolanus/ DCoriolanus? |
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| Molly Brown | 119-121 |
| http://dx.doi.org/10.4314/sisa.v30i1.14S | |
ISSN: 1011-582X
