Articles

• Editorial

  C Thurman

  DOI: 10.4314/sisa.v27i1.

  • Requires Subscription PDF
• Shakespeare and Tragedy in South Africa: From Black Hamlet to A Dream Deferred

  D Roux

  1-14

  DOI: 10.4314/sisa.v27i1.1

  • Requires Subscription PDF
• Coriolanus, Hazlitt and the Insolence of Power

  J Atkinson

  15-23

  DOI: 10.4314/sisa.v27i1.2

  • Requires Subscription PDF
• “Plagued in Art”: The fashioning of an aesthetics ofsacrifice in The Duchess of Malfi

  J De Reuck

  25-32

  DOI: 10.4314/sisa.v27i1.3

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• Pig and Ham: Performer meets Shakespeare

  C Kemp

  33-38

  DOI: 10.4314/sisa.v27i1.4

  • Requires Subscription PDF
• Macbething Lear and the Politics of Succession in Zimbabwe

  J Nyanda

  39-46

  DOI: 10.4314/sisa.v27i1.5

  • Requires Subscription PDF
• Back to Basics: Abrahamse and Meyer’s digestible Othello

  T Leverton

  47-52

  DOI: 10.4314/sisa.v27i1.6

  • Requires Subscription PDF
• Black and White: Othello at Maynardville, 1970-2015

  G Haresnape

  53-59

  DOI: 10.4314/sisa.v27i1.7

  • Requires Subscription PDF
• South Africa in Shakespeare’s “wide and universal theatre”

  T Voss

  61-69

  DOI: 10.4314/sisa.v27i1.8

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• “U mis natuurse groot genesing : slaap”: Sovereign insomnia and Macbeth in Afrikaans

  S Loots

  71-75

  DOI: 10.4314/sisa.v27i1.9

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• Verdi’s Macbeth Repurposed: Postcolonial critique or Africa off-the-peg?

  A Dickson

  77-78

  DOI: 10.4314/sisa.v27i1.10

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