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Shakespeare in Southern Africa - Vol 30 (2017)

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Table of Contents

Articles

Editorial: “Decolonising Shakespeare?” contestations and re-imaginings for a post-liberation South Africa EMAIL FULL TEXT
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Lliane Loots, Sandra Young, Miranda Young-Jahangeer
From Shakespearean singularity to singular Shakespeares: finding new names for will-in-the-world EMAIL FULL TEXT
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Chris Thurman 1-13
Departing from Shakespeare: reflections triggered by re-staging Manhattan’s west side on KwaZulu-Natal’s East Coast (2013) EMAIL FULL TEXT
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Sarah Roberts 14-29
Reflections on a black Paulina: a personal tale recounted from a retrospective perspective EMAIL FULL TEXT
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Noxolo Matete 30-42
To tell our Storie”: reflections on a queer adaptation of Hamletin twenty-first century South Africa EMAIL FULL TEXT
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Thys Heydenrych 43-55
A South African Romeo and Juliet: gender identity in Minky Schlesinger’s Gugu and Andile EMAIL FULL TEXT
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Chandré Botha, Chris Broodryk 56-69
Black queer woman Iago EMAIL FULL TEXT
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Pumelela ‘Push’ Nqelenga 70-75
To play is the thing: (re)imagining Shakespeare on a post-colonial stage EMAIL FULL TEXT
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Tamar Meskin 76-85
Transformation’s Tempest: Miranda as a student of higher education in South Africa EMAIL FULL TEXT
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Ayanda Khala-Phiri 86-94
Much Ado About …” multiple directorial readings across histories and cultures EMAIL FULL TEXT
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Deborah Lutge 95-106
Interview: Introducing Sonny – the story of “The Robben Island Bible” EMAIL FULL TEXT
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Devaksha Moodley 107-112
Review: The Robben Island Shakespeare by Matthew Hahn EMAIL FULL TEXT
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Marié-Heleen Coetzee 113-115
Review: The Storming by the Insurrections Ensemble EMAIL FULL TEXT
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Dilip Menon 116-118
Review: Coriolanus/ Post-Coriolanus/ Counter-Coriolanus/ DCoriolanus? EMAIL FULL TEXT
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Molly Brown 119-121


ISSN: 1011-582X
AJOL African Journals Online