Interpretation of meanings embedded in non-discursive symbolic communication of <i>Kamabeka</i> cultural dance of <i>Babukusu</i> community of Bungoma County, Kenya

Abstract

In most cultures of the world, indigenous cultural dances do communicate non-discursively. The meanings thereof are usually culture bound hence need an individual with the cultural background knowledge of the dance in question to be able to understand the communication behind the dance. With a focus on kamabeka dance, the main objective of this study was to interpret the meanings embedded in the non-discursive communication of kamabeka cultural dance of Babukusu community of Bungoma County, Kenya. This is a step towards dissemination of African knowledge to the global village since currently is saturated with western knowledge. The study was guided by the theory of semiotics and communication by Wendy Leeds-Hurwitz (1993). The target population comprised 25 kamabeka dance troupes and 25 kamabeka dance troupe leaders who were purposively selected pursuant to the data obtained from the register in the ministry of culture and sports in Bungoma County. However only 8 out of 25 dance troupes which accounts for 30% were selected for logistical convenience. Only 11 out of 25 leaders were sampled owing to a point of saturation which was reached by the 11^th respondent. This accounted for 44% of the total population. Data collection methods comprised interviews, participant and non-participant observation. Data collection instruments and tools comprised interview schedules for dance troupe leaders and observation schedules for dance live performances, field notebook and a tape/video recorder and still photographs. Recorded videos of kamabeka dances were also obtained for analysis. Qualitative data obtained was organized in topics of discussions analyzed descriptively and presented in prose and photographs. It is hoped that the findings of this study shall, provide resource material for reference and beef up the existing pool of knowledge as well as stimulate further research in the area of ethnomusicology and related disciplines.