Vol. 7 No. 1-2 (2019) | EJOTMAS: Ekpoma Journal of Theatre and Media Arts

Published: 2020-04-15

Editorial: EJOTMAS: Raising the research and publication bar at Ambrose Alli University, Ekpoma, Nigeria

Osakue Stevenson Omoera

DOI:

10.4314/ejotmas.v7i1-2.1

download PDF

Online self-disclosure among students of higher institutions of learning in Ibadan Metropolis, Nigeria

Olayinka Abimbola Egbokhare, Adeola Obafemi Mobolaji

1-19

DOI:

10.4314/ejotmas.v7i1-2.2

download PDF

Issues in preventing mother-to-child transmission of HIV: a liberal humanist reading of Song of a Goat

Dennis A. Mordi

20-33

DOI:

10.4314/ejotmas.v7i1-2.33

download PDF

Interactive theatre for community conflict resolution and transformation: the Oye-Ekiti Forum Theatre Workshop in perspective

Joseph Agofure Idogho

34-49

DOI:

10.4314/ejotmas.v7i1-2.3

download PDF

Geospatial data and artificial intelligence technologies as innovative communication tools for quality education and lifelong learning

Chidinma Henrietta Onwubere

50-71

DOI:

10.4314/ejotmas.v7i1-2.4

download PDF

Dance and content issues: implications for contemporary indigenous dance in Nigeria

Princewill C. Abakporo

72-82

DOI:

10.4314/ejotmas.v7i1-2.5

download PDF

Balancing gender stereotypes in Nollywood: a consideration of Genevieve Nnaji’s Lionheart

Roselyn Vona Doghudje

83-97

DOI:

10.4314/ejotmas.v7i1-2.6

download PDF

A syncretic analysis of the duality of dance as art and science

Mariam A. Iyeh, Godwin Onuche

98-109

DOI:

10.4314/ejotmas.v7i1-2.7

download PDF

An examination of the placement of adverbials in the academic writing of fresh undergraduate students in the University of Cape Coast, Ghana

Philip Arthur Gborsong, Anita B. Appartaim

110-128

DOI:

10.4314/ejotmas.v7i1-2.8

download PDF

The utilization of literary techniques in Flora Nwapa’s Never Again and Chimamanda Adichie’s Half of a Yellow Sun

Onyeka Ike

129-152

DOI:

10.4314/ejotmas.v7i1-2.9

download PDF

Terror thrillers and tradition: a postcolonial reading of selected African cinema

Victor Osae Ihidero

153-168

DOI:

10.4314/ejotmas.v7i1-2.10

download PDF

Feminism and human rights in Utoh-Ezeajugh’s Our Wives Have Gone Mad Again and Femi Osofisan’s Yungba-Yungba and the Dance Contest

Grace Itoro Ibanga

169-189

DOI:

10.4314/ejotmas.v7i1-2.11

download PDF

Journalism as a profession: the challenges of women in a discriminatory society

Olayinka Susan Ogundoyin

190-204

DOI:

10.4314/ejotmas.v7i1-2.12

download PDF

Nigeria’s cultural policy implementation: sustaining cultural diversity through cultural resource management

Elizabeth O. Ben-Iheanacho

205-215

DOI:

10.4314/ejotmas.v7i1-2.13

download PDF

Skin bleaching and women sexualisation: a discourse analysis of Fela Kuti’s Yellow Fever and Ayinla Omowura’s Oro Kan Je Mi Logun

Israel A. Fadipe

216-235

DOI:

10.4314/ejotmas.v7i1-2.14

download PDF

Constraints in the practice of theatre for development in Nigerian tertiary institutions

Jimmy Unekwu Akoh

236-256

DOI:

10.4314/ejotmas.v7i1-2.15

download PDF

Trends in media framing of industrial crises reporting: implication for media research in Nigeria

Julius Abioye Adeyemo, Olugbenga Elegbe

254-266

DOI:

10.4314/ejotmas.v7i1-2.16

download PDF

Inventing animate floats: transformation and interpretation in Nigeria’s Abuja Carnival

Michael Adérèmí Adéoyè

267-280

DOI:

10.4314/ejotmas.v7i1-2.17

download PDF

The iconoclastic theatre: transgression in Christopher Marlowe’s Tamburlaine

Emad A. Alqadumi

281-293

DOI:

10.4314/ejotmas.v7i1-2.18

download PDF

The use of specific linguistic features within the context of a casual conversation in a speech community

Ekiyokere Ekiye

294-309

DOI:

10.4314/ejotmas.v7i1-2.19

download PDF

Costumes as depiction of cultural identity in Pedro Agbonifo-Obaseki’s Idia

Owens Patricia Eromosele

310-320

DOI:

10.4314/ejotmas.v7i1-2.20

download PDF

Women as agents of conflict resolution in Femi Osofisan’s Moroutodun

Rasheed Oshoke Ogakason

321-334

DOI:

10.4314/ejotmas.v7i1-2.21

download PDF

Choreographic metaphors of political terrorism and counter-terrorism in Arodan Dance Theatre

Tosin Kooshima Tume

335-347

DOI:

10.4314/ejotmas.v7i1-2.22

download PDF

Community radio: an instrument for good governance in Nigeria

‘Rantimi Jays Julius-Adeoye

348-361

DOI:

10.4314/ejotmas.v7i1-2.23

download PDF

Import of family and peers in a writer’s life

Chinedu Ogoke

362-373

DOI:

10.4314/ejotmas.v7i1-2.24

download PDF

Ritual culture phenomenon in Igbo films: a study of Money is Money

Teddy Thaddeus Hanmakyugh

374-385

DOI:

10.4314/ejotmas.v7i1-2.25

download PDF

A congenial communication climate: the catalyst and panacea for effective organizational communication

Bifatife Olufemi Adeseye, Innocent Afolabi Ariremako

386-402

DOI:

10.4314/ejotmas.v7i1-2.26

download PDF

Aestheticism in visual symbols: catalysts for theatre patronage in contemporary play production

Bernard Eze Orji

403-421

DOI:

10.4314/ejotmas.v7i1-2.27

download PDF

The producer-artistic business relationship: a major concern for the survival of theatre practice in Nigeria

Olatunji Samson Sotimirin

422-432

DOI:

10.4314/ejotmas.v7i1-2.28

download PDF

Song texts as instruments of communication in “Alaga Iduro” and “Alaga Ijokoo” musical performances during engagement ceremonies

Olufunmilola Temitayo Oladipo

433-446

DOI:

10.4314/ejotmas.v7i1-2.29

download PDF

Dance pedagogy and entrepreneurship: a study of Footprints Arts Ambassadors, Lagos

Michael Oladipupo Fernandez

447-459

DOI:

10.4314/ejotmas.v7i1-2.30

download PDF

Impact of war on women: Iyorwuese Hagher’s Lamp of Peace

Jonathan Desen Mbachaga

460-469

DOI:

10.4314/ejotmas.v7i1-2.31

download PDF

Journalism practice and application of the contempt of court principle in the Nigerian judiciary

Oyakemeagbegha Musah

470-487

DOI:

10.4314/ejotmas.v7i1-2.32

download PDF

Articles

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI:

DOI: