Main Article Content
The colonial assault on African culture and heritage culminated in the indiscriminate looting of African cultural resources, many of which are icons in public and private museums and institutions in Europe and North America. Many more are in auction houses and art galleries outside the continent. While there is no comprehensive audit of these materials, they are estimated to run into hundreds of thousands. In this paper, attempts are made to identify the different genres of looted Nigerian materials in Europe and North America. Factors that have continued to exacerbate the looting of the country’s cultural resources are identified and attempts are made to suggest possible strategies for the repatriation of these looted treasures.