Articles

• Ghanaian Women Enter into Popular Entertainment

  John Collins

  1-10

  DOI: 10.4314/hrj.v3i1.5934

  • Requires Subscription PDF
• Philosophy In Africa: Pure or Applied?

  Kolawole A. Owolabi

  11-20

  DOI: 10.4314/hrj.v3i1.5935

  • Requires Subscription PDF
• Language and Style in Zaynab Alkali's The Stillborn

  Macpherson N. Azuike

  21-28

  DOI: 10.4314/hrj.v3i1.5936

  • Requires Subscription PDF
• The Mytho-Historical Base of the Drama of Jean Giraudoux and Femi Osofisan: Electre and Morountodun

  Omale Austen-Peters

  29-36

  DOI: 10.4314/hrj.v3i1.5937

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• The Dialectics of Unity in Diversity: Osofisan's Proposal in Another Raft

  Adebola A. Ademeso

  37-49

  DOI: 10.4314/hrj.v3i1.5938

  • Requires Subscription PDF
• Christian Theological Literature on Ancestor Veneration in Africa: An Overview

  Pius O. Abioje

  50-57

  DOI: 10.4314/hrj.v3i1.5939

  • Requires Subscription PDF
• Opportunism or Business Strategy: Perspectives on Igbo Commercial Dynamism in Kano in The Post Civil War Years

  Ahmed Bako

  58-66

  DOI: 10.4314/hrj.v3i1.5940

  • Requires Subscription PDF
• Dynamics of African Dance

  Atinuke A. Idamoyibo

  67-73

  DOI: 10.4314/hrj.v3i1.5941

  • Requires Subscription PDF
• The Determining Status of Aesthetics in Contemporary Nigerian Theatre Practice

  Charles Uji

  74-79

  DOI: 10.4314/hrj.v3i1.5942

  • Requires Subscription PDF