South African Music Studies
Journal / South African Music Studies / Vol. 34 No. 1 (2015) / Articles

Published: 2017-02-08

Crisis? What Crisis?

Stephanus Muller, Willemien Froneman

vii-xviii

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The Politics of Musical Meaning: The Case of Jeanne Zaidel- Rudolph’s Masada

Annemie Stimie Behr

1-28

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Shifty Records in Apartheid South Africa: Innovations in Independent Record Company Resistance

Michael Drewett

29-62

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Conference Report: Contesting Freedoms – A Colloquium on Music Studies in a Democratic South Africa, University of South Africa, 27-28 March 2014

Cara Stacey

63-68

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Opinion Piece: The ‘Reshef Affair’: A Personal Reflection

Jeffrey Brukman

69-89

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Conference Report: South African Society for Research in Music Eighth and Ninth Annual Congresses

Mareli Stolp

92-96

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Interview with Robert Fokkens

Robert Fokkens, Andile Khumalo

97-108

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From the Incompatible to the Provisionally Synthesised in the Music of Robert Fokkens

Chris van Rhyn

109-134

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Book Review: The Girls in the Baobab: Venda Stories from the Limpopo Valley

Ernest Patrick Monte

135-138

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Andrew Tracey and the Art of Embodied Knowledge

Kathryn Olsen, Christopher Cockburn

141-145

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Andrew Tracey: Performer, Scholar, Teacher, Mentor

Diane Thram, Michael Blake, Mandy Carver

146-167

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Cracking the Rhythm Codes in the Music of the Lumko District

Dave Dargie

171-204

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Review Article: Keeping Time: 1964-1974 the Photographs and Cape Town Jazz Recordings of Ian Bruce Huntley

Niklas C. Zimmer

207-228

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Peter Rezant: Doyen of South African Jazz-Band Leaders Introduction and Interview

Christopher Ballantine

229-261

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Experiences of Belonging and Exclusion in the Production and Reception of Some Contemporary South African Jazz: An Interpretative Phenomenological Analysis

Nishlyn Ramanna

262-289

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Book Review: Sounding the Cape: Music, Identity and Politics in South Africa

Francesca Inglese

290-296

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No Consolation: The Poetics of Lament and the Insistence of Complicity

Heidi Grunebaum

299-310

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From Strange Rooms: Music, Landscape, and the Failure of Response

Daniel M. Grimley

311-324

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A Literary Critique of Death Songs: Night is Coming – A Threnody for the Victims of Marikana

Gillian Schutte

325-336

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What do we then do, Aryan? Where do we then go?

Matthew Pateman

337-351

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Disquiet

Aidan Erasmus

352-363

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Negotiating Vision: Listening with the Eyes and Hearing Landscape Critically

Carina Venter

364-390

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River Blindness

Stacy Hardy

391-405

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The Flute Becomes a Gun: A Flautist’s Perspectives on Aryan Kaganof’s Film Night is Coming: A Threnody for the Victims of Marikana

Marietjie Pauw

408-425

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Analysing ‘from the inside out’: Frederic Rzewski’s De Profundis from a Performer’s Perspective

Mareli Stolp

426-458

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Performance Exploring the Role of Pianists’ Emotional Engagement with Music in a Solo Performance

Catherine Foxcroft, Clorinda Panebianco-Warrens

459-498

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On Being Undone by Music: Thoughts Towards a South African Future Worth Having

Christopher Ballantine

501-520

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Some Implications of Being Undone by Music: A Response to Christopher Ballantine

Barbara Titus

521-528

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Political Speculations on Music and Social Cohesion

Mohammad Shabangu

529-538

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Journal Identifiers

eISSN:
print ISSN: 2223-635X