Articles

• Can News also be ‘Made in China?’

  Bisi Olawuyi

  1-24

  DOI: 10.4314/ijcrh.v26i1.1

  • PDF
• Is the African Cinema Definition ‘Real’ or ‘Idealistic’

  Sarah Kuntoh

  25-38

  DOI: 10.4314/ijcrh.v26i1.2

  • PDF
• Multi-Linguistic Interferences in the Articulation of English Fricatives among Selected Students in a Public University in Lokoja, Nigeria

  Theodore Shey Nsairun

  39-54

  DOI: 10.4314/ijcrh.v26i1.3

  • PDF
• A Contrastive Analysis of Word Formation Processes in French and Yorùbá: Areas of Convergence and Divergence

  Ajani Akinwumi Lateef

  55-68

  DOI: 10.4314/ijcrh.v26i1.4

  • PDF
• African Women Performing Men: Subverting Masculinity through Cross-Acting in Selected ABU Studio Theatre Performances

  Victor Osae Ihidero

  69-86

  DOI: 10.4314/ijcrh.v26i1.5

  • PDF
• Advancing Indigenous African Values and Ethos for Film Directing and Production in Nollywood

  Olusola Kayode Balogun, Adefolaji Eben Adeseke

  87-97

  DOI: 10.4314/ijcrh.v26i1.6

  • PDF
• The Continuity of Culture in the Entropy of Civilization

  Shreeja Ghanta

  98-111

  DOI: 10.4314/ijcrh.v26i1.7

  • PDF
• Nigerian National Theatre and the New Economy

  Bridgette R. Yerima, Stanley Ohenhen

  112-123

  DOI: 10.4314/ijcrh.v26i1.8

  • PDF
• Using Technology to Enhance Instruction and Learning in Musical Arts Education in Nigeria

  Eyiuche Rita Modeme

  124-144

  DOI: 10.4314/ijcrh.v26i1.9

  • PDF
• The Holy Communion as Case Text in Grammatical Transitivity in Religious Discourse

  Charisa Dada, Asomwan A. Adagbonyin

  145-175

  DOI: 10.4314/ijcrh.v26i1.10

  • PDF
• A Consideration of Socio-Cultural Role of Women in Yeelen and Faat Kiné

  Cecilia Avorkliyah, Prince Kumado

  176-195

  DOI: 10.4314/ijcrh.v26i1.11

  • PDF
• Drama-in-Education, Multimedia Technology and Childhood Language Curriculum: The University Staff School (USS) Benin City, Edo State Experience

  Joseph Agofure Idogho, Oladipo Adeyeye. Olubodun

  196-210

  DOI: 10.4314/ijcrh.v26i1.12

  • PDF
• Impact of Covid-19 Social Distancing Protocol on the Private Sector Dance Troupes in Lagos State, Nigeria

  Arnold B. Udoka

  211-237

  DOI: 10.4314/ijcrh.v26i1.13

  • PDF
• Challenges of Democracy and Development in Africa, South of the Sahara

  Joseph Aketema

  238-256

  DOI: 10.4314/ijcrh.v26i1.14

  • PDF
• African Traditional Religion and Medicine in Contemporary Times

  Independence Gabriel

  257-271

  DOI: 10.4314/ijcrh.v26i1.15

  • PDF
• Les Causes de L’indélité des Femmes dans L’heptaméron

  Musa Adamu Mamman

  272-292

  DOI: 10.4314/ijcrh.v26i1.16

  • PDF
• Health Information and Users’ Beliefs: A Study of Herbal Medicine Users’ Attitudes to Efcacy of Herbal Medicine

  Stephen Afam Kenechukwu, Abari Ogah, Aloysius Chukwuebuka Ifeanyichukwu

  293-304

  DOI: 10.4314/ijcrh.v26i1.17

  • PDF
• An African Sense of Folk Music as Essential Tool for Rehabilitation of Speech and Language Impairment in Children

  Rita Adaobi Sunday-Kanu

  305-321

  DOI: 10.4314/ijcrh.v26i1.18

  • PDF
• Narrative as a Symbolic Social Act: Sexual Bribery and the Pragmatics of Resolution in J. M. Coetzee’s Disgrace and Kunle Afolayan’s Citation

  Christabel Aba Sam

  322-336

  DOI: 10.4314/ijcrh.v26i1.19

  • PDF
• Concurrent Use of Traditional and Orthodox Modes of Healthcare Services among Out-Patient Nursing Mothers in Ikenne Local Government Area, Ogun State, Nigeria

  Stephen Ogbonna Nwaobilor, Sola Aluko-Arowolo

  337-348

  DOI: 10.4314/ijcrh.v26i1.20

  • PDF
• Organizing, Planning and Developing Visual Style in Screen Directing during Pre-Production

  Oluyinka Smart Babalola

  349-376

  DOI: 10.4314/ijcrh.v26i1.21

  • PDF
• Mental Health Promotion for Internally Displaced Persons Using Drama Therapy in Makurdi Area, North Central Nigeria

  Sunday Ogbu Igbaba

  377-400

  DOI: 10.4314/ijcrh.v26i1.22

  • PDF
• Heritage Management and Community Engagement: The Story of the National Museum, Benin City, Nigeria

  Austine Emifoniye

  387-400

  DOI: 10.4314/ijcrh.v26i1.23

  • PDF
• The Print Media and the Evolution of Third-Generation Nigerian Poetry

  Tunde Olusunle

  401-417

  DOI: 10.4314/ijcrh.v26i1.24

  • PDF
• Reasserting Tunde Kelani’s Auteurism: A Review of his Artistic Signature in Arugba

  Nyamekye Nyarko, Joseph Aketema

  418-432

  DOI: 10.4314/ijcrh.v26i1.25

  • PDF
• Theatre Designs for Counter-Terrorism: Performances of Ojo Bakare’s Drums of War as Paradigm

  Nsikan Bassey Asuquo

  433-446

  DOI: 10.4314/ijcrh.v26i1.26

  • PDF
• Symbols and Meaning in Dress and Identity Construction in Benin Chieftaincy

  Owens Patricia Eromosele

  447-464

  DOI: 10.4314/ijcrh.v26i1.27

  • PDF
• Application of Technical Aesthetics of Costume, Make-up, Props and Performance Space in Idoma Traditional Performance Theatre

  Abdulmalik Adakole Amali

  465-477

  DOI: 10.4314/ijcrh.v26i1.28

  • PDF
• A Mythic Reading of the Materialist Epiphany in Femi Osofisan’s Another Raft

  Kingsley Iyayi Ehiemua

  478-494

  DOI: 10.4314/ijcrh.v26i1.29

  • PDF