Vol. 26 No. 1 (2022) | International Journal of Current Research in the Humanities

Published: 2023-02-25

Can News also be ‘Made in China?’

Bisi Olawuyi

1-24

DOI:

10.4314/ijcrh.v26i1.1

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Is the African Cinema Definition ‘Real’ or ‘Idealistic’

Sarah Kuntoh

25-38

DOI:

10.4314/ijcrh.v26i1.2

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Multi-Linguistic Interferences in the Articulation of English Fricatives among Selected Students in a Public University in Lokoja, Nigeria

Theodore Shey Nsairun

39-54

DOI:

10.4314/ijcrh.v26i1.3

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A Contrastive Analysis of Word Formation Processes in French and Yorùbá: Areas of Convergence and Divergence

Ajani Akinwumi Lateef

55-68

DOI:

10.4314/ijcrh.v26i1.4

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African Women Performing Men: Subverting Masculinity through Cross-Acting in Selected ABU Studio Theatre Performances

Victor Osae Ihidero

69-86

DOI:

10.4314/ijcrh.v26i1.5

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Advancing Indigenous African Values and Ethos for Film Directing and Production in Nollywood

Olusola Kayode Balogun, Adefolaji Eben Adeseke

87-97

DOI:

10.4314/ijcrh.v26i1.6

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The Continuity of Culture in the Entropy of Civilization

Shreeja Ghanta

98-111

DOI:

10.4314/ijcrh.v26i1.7

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Nigerian National Theatre and the New Economy

Bridgette R. Yerima, Stanley Ohenhen

112-123

DOI:

10.4314/ijcrh.v26i1.8

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Using Technology to Enhance Instruction and Learning in Musical Arts Education in Nigeria

Eyiuche Rita Modeme

124-144

DOI:

10.4314/ijcrh.v26i1.9

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The Holy Communion as Case Text in Grammatical Transitivity in Religious Discourse

Charisa Dada, Asomwan A. Adagbonyin

145-175

DOI:

10.4314/ijcrh.v26i1.10

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A Consideration of Socio-Cultural Role of Women in Yeelen and Faat Kiné

Cecilia Avorkliyah, Prince Kumado

176-195

DOI:

10.4314/ijcrh.v26i1.11

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Drama-in-Education, Multimedia Technology and Childhood Language Curriculum: The University Staff School (USS) Benin City, Edo State Experience

Joseph Agofure Idogho, Oladipo Adeyeye. Olubodun

196-210

DOI:

10.4314/ijcrh.v26i1.12

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Impact of Covid-19 Social Distancing Protocol on the Private Sector Dance Troupes in Lagos State, Nigeria

Arnold B. Udoka

211-237

DOI:

10.4314/ijcrh.v26i1.13

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Challenges of Democracy and Development in Africa, South of the Sahara

Joseph Aketema

238-256

DOI:

10.4314/ijcrh.v26i1.14

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African Traditional Religion and Medicine in Contemporary Times

Independence Gabriel

257-271

DOI:

10.4314/ijcrh.v26i1.15

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Les Causes de L’indélité des Femmes dans L’heptaméron

Musa Adamu Mamman

272-292

DOI:

10.4314/ijcrh.v26i1.16

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Health Information and Users’ Beliefs: A Study of Herbal Medicine Users’ Attitudes to Efcacy of Herbal Medicine

Stephen Afam Kenechukwu, Abari Ogah, Aloysius Chukwuebuka Ifeanyichukwu

293-304

DOI:

10.4314/ijcrh.v26i1.17

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An African Sense of Folk Music as Essential Tool for Rehabilitation of Speech and Language Impairment in Children

Rita Adaobi Sunday-Kanu

305-321

DOI:

10.4314/ijcrh.v26i1.18

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Narrative as a Symbolic Social Act: Sexual Bribery and the Pragmatics of Resolution in J. M. Coetzee’s Disgrace and Kunle Afolayan’s Citation

Christabel Aba Sam

322-336

DOI:

10.4314/ijcrh.v26i1.19

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Concurrent Use of Traditional and Orthodox Modes of Healthcare Services among Out-Patient Nursing Mothers in Ikenne Local Government Area, Ogun State, Nigeria

Stephen Ogbonna Nwaobilor, Sola Aluko-Arowolo

337-348

DOI:

10.4314/ijcrh.v26i1.20

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Organizing, Planning and Developing Visual Style in Screen Directing during Pre-Production

Oluyinka Smart Babalola

349-376

DOI:

10.4314/ijcrh.v26i1.21

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Mental Health Promotion for Internally Displaced Persons Using Drama Therapy in Makurdi Area, North Central Nigeria

Sunday Ogbu Igbaba

377-400

DOI:

10.4314/ijcrh.v26i1.22

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Heritage Management and Community Engagement: The Story of the National Museum, Benin City, Nigeria

Austine Emifoniye

387-400

DOI:

10.4314/ijcrh.v26i1.23

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The Print Media and the Evolution of Third-Generation Nigerian Poetry

Tunde Olusunle

401-417

DOI:

10.4314/ijcrh.v26i1.24

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Reasserting Tunde Kelani’s Auteurism: A Review of his Artistic Signature in Arugba

Nyamekye Nyarko, Joseph Aketema

418-432

DOI:

10.4314/ijcrh.v26i1.25

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Theatre Designs for Counter-Terrorism: Performances of Ojo Bakare’s Drums of War as Paradigm

Nsikan Bassey Asuquo

433-446

DOI:

10.4314/ijcrh.v26i1.26

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Symbols and Meaning in Dress and Identity Construction in Benin Chieftaincy

Owens Patricia Eromosele

447-464

DOI:

10.4314/ijcrh.v26i1.27

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Application of Technical Aesthetics of Costume, Make-up, Props and Performance Space in Idoma Traditional Performance Theatre

Abdulmalik Adakole Amali

465-477

DOI:

10.4314/ijcrh.v26i1.28

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A Mythic Reading of the Materialist Epiphany in Femi Osofisan’s Another Raft

Kingsley Iyayi Ehiemua

478-494

DOI:

10.4314/ijcrh.v26i1.29

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