Articles

• The poetics of revolution, the logic of reformism and change management in Nigeria: Sam Ukala’s two folkscripts

  Ifeanyi Ugwu

  1-13

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• Restructuring Nigeria for positive change: Nollywood and the Biafran story

  Emmanuel Onyeka Ebekue

  14-27

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• Media criticism and agenda for effective leadership: An appraisal of Nollywood productions

  Charles Effiong, Bernard Eze-Orji

  28-37

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• Social media and the propagation of violence against women

  Osakue Stevenson Omoera, Heri Ryanga

  38-49

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• Interrogating obnoxious widowhood practices and the scapegoating of womenfolk: Uche Ama-Abriel’s A Past Came Calling as Paradigm

  Samuel Okoronkwo Chukwu-Okoronkwo

  50-62

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• Leadership and changing communal values in Wole Soyinka’s Kongi’s Harvest

  Tekena Gasper Mark, Remigius Anayochi Anyanwu

  63-79

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• Change imperatives in the stand-up comedy of Ali Baba

  Edward Egbo Imo

  80-98

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• Effective communication and TFD practice in Nigeria: The Unandu and Ketti experience

  Cynthia Chinenyenwa Nwabueze

  99-110

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• Communicating empathy for change: A kinesics assesment of Ojo Bakare’s “The voyage”

  Tosin Kooshima Tume

  111-131

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• Towards eradicating domestic violence in Igarra community: The theatre option

  Ada Lucy Onaivi

  132-142

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• Change management in Nigeria: The theatre and media paradigm

  Nelson Torti Obasi

  143-152

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• Nudity, morality and change management: A study of “women of hope” dance performance

  Nicholas Chielotam Akas

  153-164

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• Dance and change management in modern Benin cultural troupe performance

  Josephine Ebiuwa Abbe

  165-178

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• Nigerian dramatists as change agents: The trajectories in three Nigerian playwrights

  Bernard Eze-Orji, Charles Osa Emokpae

  179-195
• Hazard management in Nigerian theatres: A paradigmatic shift

  Gowon Ama Doki, Jerry Idah Odeh

  196-209

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