Vol. 17 No. 1 (2017) | Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists

The poetics of revolution, the logic of reformism and change management in Nigeria: Sam Ukala’s two folkscripts

Ifeanyi Ugwu

1-13

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Restructuring Nigeria for positive change: Nollywood and the Biafran story

Emmanuel Onyeka Ebekue

14-27

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Media criticism and agenda for effective leadership: An appraisal of Nollywood productions

Charles Effiong, Bernard Eze-Orji

28-37

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Social media and the propagation of violence against women

Osakue Stevenson Omoera, Heri Ryanga

38-49

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Interrogating obnoxious widowhood practices and the scapegoating of womenfolk: Uche Ama-Abriel’s A Past Came Calling as Paradigm

Samuel Okoronkwo Chukwu-Okoronkwo

50-62

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Leadership and changing communal values in Wole Soyinka’s Kongi’s Harvest

Tekena Gasper Mark, Remigius Anayochi Anyanwu

63-79

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Change imperatives in the stand-up comedy of Ali Baba

Edward Egbo Imo

80-98

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Effective communication and TFD practice in Nigeria: The Unandu and Ketti experience

Cynthia Chinenyenwa Nwabueze

99-110

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Communicating empathy for change: A kinesics assesment of Ojo Bakare’s “The voyage”

Tosin Kooshima Tume

111-131

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Towards eradicating domestic violence in Igarra community: The theatre option

Ada Lucy Onaivi

132-142

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Change management in Nigeria: The theatre and media paradigm

Nelson Torti Obasi

143-152

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Nudity, morality and change management: A study of “women of hope” dance performance

Nicholas Chielotam Akas

153-164

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Dance and change management in modern Benin cultural troupe performance

Josephine Ebiuwa Abbe

165-178

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Nigerian dramatists as change agents: The trajectories in three Nigerian playwrights

Bernard Eze-Orji, Charles Osa Emokpae

179-195

Hazard management in Nigerian theatres: A paradigmatic shift

Gowon Ama Doki, Jerry Idah Odeh

196-209

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Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists
Journal / Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists / Vol. 17 No. 1 (2017) / Articles

Articles

The poetics of revolution, the logic of reformism and change management in Nigeria: Sam Ukala’s two folkscripts

Restructuring Nigeria for positive change: Nollywood and the Biafran story

Media criticism and agenda for effective leadership: An appraisal of Nollywood productions

Social media and the propagation of violence against women

Interrogating obnoxious widowhood practices and the scapegoating of womenfolk: Uche Ama-Abriel’s A Past Came Calling as Paradigm

Leadership and changing communal values in Wole Soyinka’s Kongi’s Harvest

Change imperatives in the stand-up comedy of Ali Baba

Effective communication and TFD practice in Nigeria: The Unandu and Ketti experience

Communicating empathy for change: A kinesics assesment of Ojo Bakare’s “The voyage”

Towards eradicating domestic violence in Igarra community: The theatre option

Change management in Nigeria: The theatre and media paradigm

Nudity, morality and change management: A study of “women of hope” dance performance

Dance and change management in modern Benin cultural troupe performance

Nigerian dramatists as change agents: The trajectories in three Nigerian playwrights

Hazard management in Nigerian theatres: A paradigmatic shift