Vol. 5 No. 1-2 (2015) | EJOTMAS: Ekpoma Journal of Theatre and Media Arts

Published: 2016-08-02

Directorial style and stylization:‘The photographic synthesis’ in Felix Okolo’s dramaturgy on the Nigerian theatre stage

Michael Temitope Ogunbiyi

DOI:

10.4314/ejotmas.v5i1-2.1

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Metricism in Yorùbá wórò rhythm

Babatunji O. Dada

DOI:

10.4314/ejotmas.v5i1-2.2

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Dancing out a nation’s state of pity and amusement: Kelani’s retelling of Ogunde’s Yoruba Ronu

Tunde Onikoyi

DOI:

10.4314/ejotmas.v5i1-2.3

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Vicissitudes of Edo State Council for Arts and Culture Performing Troupe (1996-2016)

Daniel Omoruan

DOI:

10.4314/ejotmas.v5i1-2.4

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A survey of students’ performance on the piano: a case study of the Department of Music, University of Port Harcourt

David Bolaji

DOI:

10.4314/ejotmas.v5i1-2.5

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Adapting the Kwagh-hir puppetry theatre to create kinetic paintings

Saghevwua Amos Agaku

DOI:

10.4314/ejotmas.v5i1-2.6

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Amojo Amen-Niyeye: a study in Esan minstrels

Charles O. Aluede, Abayomi O. Bello

DOI:

10.4314/ejotmas.v5i1-2.7

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Training the theatre arts teacher in Nigerian colleges of education: problems and prospects

Marcellinus Aondohemba Asen

DOI:

10.4314/ejotmas.v5i1-2.8

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Reinvigorating the indigenous flute in African dance performance

Mariam Asabe Iyeh, Godwin Onuche

DOI:

10.4314/ejotmas.v5i1-2.9

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Addressing the ceramics studio equipment challenge in Nigeria: utilizing re-used materials for the production of a ball mill jar

Sweet Ufumwen Ebeigbe, Valentine Ifeakachukwu Omem

DOI:

10.4314/ejotmas.v5i1-2.10

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Satirical drama, political corruption and development implications for Nigeria: a reflection on Ola Rotimi’s Our husband has gone mad again

Emmanuel Jegede

DOI:

10.4314/ejotmas.v5i1-2.11

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Television as a tool for promoting Nigerian culture

Mari Ogbemudia James

DOI:

10.4314/ejotmas.v5i1-2.12

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Nigerian highlife music: a survey of the sociopolitical events from 1950-2005

Oghenemudiakevwe Igbi

DOI:

10.4314/ejotmas.v5i1-2.13

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IDP museum: a panacea for the preservation of cultural heritage in an insurgency bedevilled region

Abba Isa Tijani, Zainab Musa Shallangwa

DOI:

10.4314/ejotmas.v5i1-2.14

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Twenty-first century relevance of Soyinka’s A dance of the forests: a postmodern conceptualization

Kingsley I. Ehiemua

DOI:

10.4314/ejotmas.v5i1-2.15

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The Willink Minority Commission and minority rights in Nigeria

Lexington Izuagie

DOI:

10.4314/ejotmas.v5i1-2.16

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The internet and the thermodynamics of adapting fe/male’s online chats as dramatic texts

Victor Osae Ihidero

DOI:

10.4314/ejotmas.v5i1-2.17

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Transmuting historical antecedents for mass reaction in Osofisan’s selected plays

Abdullahi S. Abubakar

DOI:

10.4314/ejotmas.v5i1-2.18

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Comedy as a discursive exchange for social change: a study of the social themes of Papa Ajasco and its interpretation by Nigerian audience

Adesina Lukuman Azeez, Roselyn Vona Doghudje

DOI:

10.4314/ejotmas.v5i1-2.19

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Indigenous dress as a prerequisite for cultural preservation in traditional African festival: 2011 Ozuruimo in focus

Chidiebere S. Ekweariri, Onyinyechi Edi

DOI:

10.4314/ejotmas.v5i1-2.20

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Conditioning audience patronage using subject matters in Nollywood films: the example of 30 days in Atlanta

Silver Abhulimhen Ojieson

DOI:

10.4314/ejotmas.v5i1-2.21

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Issues in the use of costume and its relationship to skin diseases in the Nigerian theatre

Toyin Beatrice Bade-Afuye

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10.4314/ejotmas.v5i1-2.22

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The invasion 1897 agenda in the Benin language film segment of Nollywood

Osakue Stevenson Omoera

DOI:

10.4314/ejotmas.v5i1-2.23

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